The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups

I have happily noticed that there is a movement within the re-enactment scene - a move towards discussing re-enactment and living history on a meta-level. In 2014 I published my festival guide How to organize a historical event involving reenactment groups (Aune Nilsen 2014). As a part of an EEA-gra...

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Autor principal:	Ingrid Galadriel Aune Nilsen
Formato:	article
Lenguaje:	EN
Publicado:	EXARC 2017
Materias:	living history newest era norway Museums. Collectors and collecting AM1-501 Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/1b2b449c92eb4470bcb4b15cadf11183
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spelling	oai:doaj.org-article:1b2b449c92eb4470bcb4b15cadf111832021-12-01T14:42:32ZThe Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups2212-8956https://doaj.org/article/1b2b449c92eb4470bcb4b15cadf111832017-06-01T00:00:00Zhttps://exarc.net/ark:/88735/10282https://doaj.org/toc/2212-8956I have happily noticed that there is a movement within the re-enactment scene - a move towards discussing re-enactment and living history on a meta-level. In 2014 I published my festival guide How to organize a historical event involving reenactment groups (Aune Nilsen 2014). As a part of an EEA-grants project, we were asked to organize a re-enactment event in Transylvania. The Romanian hosts (Rasnov Municipality and Asociatia Mioritics) were eager to learn about all our best (and worst) practices. After years of doing Viking re-enactment and organising historical events, I felt that I had something to bring to the table. A booklet was born. The guide described the five phases of event organizing: preparatory phase, preliminary phase, moments before the war, war phase and aftershocks. It is written both from an organiser’s viewpoint, and from a re-enactors viewpoint - perhaps in an attempt to deepen the understanding between the two. The guide is far from all-encompassing. First of all, I mainly focus on the Viking and medieval re-enactment scene and the market-festival setting. I realise that the guidelines given might not be suited for re-enactments of other time periods, or for other concepts. Secondly, I do not go into detail on funding and budget planning. However, I believe that the guide both describes and opens for dialogue about events, re-enactors and the re-enactment scene. Asking not only what and why, but also how and more importantly who. To further contribute to the meta-movement, I will add a few comments to my guide.Ingrid Galadriel Aune NilsenEXARCarticleliving historynewest eranorwayMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2017/2 (2017)
institution	DOAJ
collection	DOAJ
language	EN
topic	living history newest era norway Museums. Collectors and collecting AM1-501 Archaeology CC1-960
spellingShingle	living history newest era norway Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Ingrid Galadriel Aune Nilsen The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
description	I have happily noticed that there is a movement within the re-enactment scene - a move towards discussing re-enactment and living history on a meta-level. In 2014 I published my festival guide How to organize a historical event involving reenactment groups (Aune Nilsen 2014). As a part of an EEA-grants project, we were asked to organize a re-enactment event in Transylvania. The Romanian hosts (Rasnov Municipality and Asociatia Mioritics) were eager to learn about all our best (and worst) practices. After years of doing Viking re-enactment and organising historical events, I felt that I had something to bring to the table. A booklet was born. The guide described the five phases of event organizing: preparatory phase, preliminary phase, moments before the war, war phase and aftershocks. It is written both from an organiser’s viewpoint, and from a re-enactors viewpoint - perhaps in an attempt to deepen the understanding between the two. The guide is far from all-encompassing. First of all, I mainly focus on the Viking and medieval re-enactment scene and the market-festival setting. I realise that the guidelines given might not be suited for re-enactments of other time periods, or for other concepts. Secondly, I do not go into detail on funding and budget planning. However, I believe that the guide both describes and opens for dialogue about events, re-enactors and the re-enactment scene. Asking not only what and why, but also how and more importantly who. To further contribute to the meta-movement, I will add a few comments to my guide.
format	article
author	Ingrid Galadriel Aune Nilsen
author_facet	Ingrid Galadriel Aune Nilsen
author_sort	Ingrid Galadriel Aune Nilsen
title	The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
title_short	The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
title_full	The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
title_fullStr	The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
title_full_unstemmed	The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups
title_sort	movement - comments on the booklet how to organize a historical event involving reenactment groups
publisher	EXARC
publishDate	2017
url	https://doaj.org/article/1b2b449c92eb4470bcb4b15cadf11183
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The Movement - Comments on the Booklet How to Organize a Historical Event involving Reenactment Groups

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