Spatialisation de l’apparaître : le volume et le rythme
The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seei...
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| Formato: | article |
| Lenguaje: | FR |
| Publicado: |
Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
2011
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/1b84dd61699641e7970cf513dd696ef2 |
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| Sumario: | The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney. |
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