Spatialisation de l’apparaître : le volume et le rythme

Spatialisation de l’apparaître : le volume et le rythme

The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seei...

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Autor principal: Éliane Escoubas
Formato: article
Lenguaje:FR
Publicado: Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille 2011
Materias:
Max Moreau
Henri Maldiney
to appear
rhythm
Social Sciences
H
Acceso en línea:https://doaj.org/article/1b84dd61699641e7970cf513dd696ef2
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spelling oai:doaj.org-article:1b84dd61699641e7970cf513dd696ef22021-12-02T09:55:11ZSpatialisation de l’apparaître : le volume et le rythme1969-612410.4000/paysage.21778https://doaj.org/article/1b84dd61699641e7970cf513dd696ef22011-01-01T00:00:00Zhttp://journals.openedition.org/paysage/21778https://doaj.org/toc/1969-6124The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney.Éliane EscoubasAgrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP LillearticleMax MoreauHenri Maldineyto appearrhythmSocial SciencesHFRProjets de Paysage, Vol 5 (2011)
institution DOAJ
collection DOAJ
language FR
topic Max Moreau
Henri Maldiney
to appear
rhythm
Social Sciences
H
spellingShingle Max Moreau
Henri Maldiney
to appear
rhythm
Social Sciences
H
Éliane Escoubas
Spatialisation de l’apparaître : le volume et le rythme
description The investigation of spatialization finds its starting point in the notion of “phenomenon” – which is the “appearing” of what appears. The appearing does not appear among the appearing things, it is their appearance – being itself invisible. Everyday, we content ourselves with “seeing” things – seeing what is (only art, under its various forms, brings the “appearing” of what is, to the appearance). The appearing turns out to be the “volume”, by its co-genesis with the human body, and in the “rhythm” as a field of tensions in permanent movement. Thus, two philosophers –phenomenologists are summoned: Max Loreau and Henri Maldiney.
format article
author Éliane Escoubas
author_facet Éliane Escoubas
author_sort Éliane Escoubas
title Spatialisation de l’apparaître : le volume et le rythme
title_short Spatialisation de l’apparaître : le volume et le rythme
title_full Spatialisation de l’apparaître : le volume et le rythme
title_fullStr Spatialisation de l’apparaître : le volume et le rythme
title_full_unstemmed Spatialisation de l’apparaître : le volume et le rythme
title_sort spatialisation de l’apparaître : le volume et le rythme
publisher Agrocampus Angers, Ecole nationale supérieure du paysage, ENP Blois, ENSAP Bordeaux, ENSAP Lille
publishDate 2011
url https://doaj.org/article/1b84dd61699641e7970cf513dd696ef2
work_keys_str_mv AT elianeescoubas spatialisationdelapparaitrelevolumeetlerythme
_version_ 1718397871042068480

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