El nuevo documental brasileño, una breve reseña
For the last ten years the Brazilian documentary has become more innovatory and experimental than fiction cinema. The director’s mark is much more apparent. The narrative is often taken care of by a personal narrator, without necessarily becoming self-centred. Looking for new devices brings about a...
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Presses Universitaires du Mirail
2009
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oai:doaj.org-article:1bab490d3e55415c9c9af40357378d9f2021-12-02T10:09:15ZEl nuevo documental brasileño, una breve reseña1147-67532272-982810.4000/caravelle.9930https://doaj.org/article/1bab490d3e55415c9c9af40357378d9f2009-06-01T00:00:00Zhttp://journals.openedition.org/caravelle/9930https://doaj.org/toc/1147-6753https://doaj.org/toc/2272-9828For the last ten years the Brazilian documentary has become more innovatory and experimental than fiction cinema. The director’s mark is much more apparent. The narrative is often taken care of by a personal narrator, without necessarily becoming self-centred. Looking for new devices brings about a renewal of vision and subjects. Rio de Janeiro, Sao Paulo and Minas Gerais are the main production centres.Paulo Antonio ParanaguáPresses Universitaires du Mirailarticlecine brasileñodocumentalcinema novoestéticaeconomíaLatin America. Spanish AmericaF1201-3799French literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999Social SciencesHESFRPTCaravelle, Vol 92, Pp 57-69 (2009) |
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DOAJ |
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DOAJ |
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ES FR PT |
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cine brasileño documental cinema novo estética economía Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Social Sciences H |
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cine brasileño documental cinema novo estética economía Latin America. Spanish America F1201-3799 French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Social Sciences H Paulo Antonio Paranaguá El nuevo documental brasileño, una breve reseña |
description |
For the last ten years the Brazilian documentary has become more innovatory and experimental than fiction cinema. The director’s mark is much more apparent. The narrative is often taken care of by a personal narrator, without necessarily becoming self-centred. Looking for new devices brings about a renewal of vision and subjects. Rio de Janeiro, Sao Paulo and Minas Gerais are the main production centres. |
format |
article |
author |
Paulo Antonio Paranaguá |
author_facet |
Paulo Antonio Paranaguá |
author_sort |
Paulo Antonio Paranaguá |
title |
El nuevo documental brasileño, una breve reseña |
title_short |
El nuevo documental brasileño, una breve reseña |
title_full |
El nuevo documental brasileño, una breve reseña |
title_fullStr |
El nuevo documental brasileño, una breve reseña |
title_full_unstemmed |
El nuevo documental brasileño, una breve reseña |
title_sort |
el nuevo documental brasileño, una breve reseña |
publisher |
Presses Universitaires du Mirail |
publishDate |
2009 |
url |
https://doaj.org/article/1bab490d3e55415c9c9af40357378d9f |
work_keys_str_mv |
AT pauloantonioparanagua elnuevodocumentalbrasilenounabreveresena |
_version_ |
1718397573724635136 |