For hendes ansigt skinnede som solen

The Gernman abbess and mystic Hildegard of Bingen (1098-1179) developped a richly nuanced theology of the feminine. At the heart of her spiritual world stands the numinous figure she called Sapientia or Caritas: Wisdom or Love, a theophany of the feminine aspect of the divine. In Hildegard's vi...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Britt Istoft
Formato: article
Lenguaje:DA
EN
NB
SV
Publicado: The Royal Danish Library 1997
Materias:
H
Acceso en línea:https://doaj.org/article/1cece2fcafd848cdb4b535da6ab6ecc2
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:1cece2fcafd848cdb4b535da6ab6ecc2
record_format dspace
spelling oai:doaj.org-article:1cece2fcafd848cdb4b535da6ab6ecc22021-12-01T00:11:52ZFor hendes ansigt skinnede som solen10.7146/kkf.v0i3.284842245-6937https://doaj.org/article/1cece2fcafd848cdb4b535da6ab6ecc21997-10-01T00:00:00Zhttps://tidsskrift.dk/KKF/article/view/28484https://doaj.org/toc/2245-6937The Gernman abbess and mystic Hildegard of Bingen (1098-1179) developped a richly nuanced theology of the feminine. At the heart of her spiritual world stands the numinous figure she called Sapientia or Caritas: Wisdom or Love, a theophany of the feminine aspect of the divine. In Hildegard's visionary work De operatione Dei, "The Book of Divine Works", written between 1163-1173, Caritas/Sapientia plays an important part. She is the central figure in five out of the ten visions, that comprises De operatione Dei. The first two visions picture Caritas as Anima Mundi, the world soul - the divine presense in the cosmos - and Creatrix, who creates the world by existing in it as an eternal, circling motion. The eighth vision presents Caritas/Sapienta as the "living fountain", that both quickens and reflects all creatures, and inspires the prophets, including Hildegard herself. The theme of the ninth vision is "Wisdom's vesture". Because Wisdom is both a cosmic and a microcosmic figure, her garb can represent the workmanship og either God or man. In the tenth vision Caritas rests in the center of the wheel of eternity and history, and is presented as the eternal archetype of the Virgin Mary. Besides being a theological necessity as mediator of creation, incarnation and salvation Hildegard's feminine divine also serves as a model for women, particularly consecrated virgins, who represent the feminine divine on earth.Britt IstoftThe Royal Danish LibraryarticleSocial SciencesHDAENNBSVKvinder, Køn & Forskning, Iss 3 (1997)
institution DOAJ
collection DOAJ
language DA
EN
NB
SV
topic Social Sciences
H
spellingShingle Social Sciences
H
Britt Istoft
For hendes ansigt skinnede som solen
description The Gernman abbess and mystic Hildegard of Bingen (1098-1179) developped a richly nuanced theology of the feminine. At the heart of her spiritual world stands the numinous figure she called Sapientia or Caritas: Wisdom or Love, a theophany of the feminine aspect of the divine. In Hildegard's visionary work De operatione Dei, "The Book of Divine Works", written between 1163-1173, Caritas/Sapientia plays an important part. She is the central figure in five out of the ten visions, that comprises De operatione Dei. The first two visions picture Caritas as Anima Mundi, the world soul - the divine presense in the cosmos - and Creatrix, who creates the world by existing in it as an eternal, circling motion. The eighth vision presents Caritas/Sapienta as the "living fountain", that both quickens and reflects all creatures, and inspires the prophets, including Hildegard herself. The theme of the ninth vision is "Wisdom's vesture". Because Wisdom is both a cosmic and a microcosmic figure, her garb can represent the workmanship og either God or man. In the tenth vision Caritas rests in the center of the wheel of eternity and history, and is presented as the eternal archetype of the Virgin Mary. Besides being a theological necessity as mediator of creation, incarnation and salvation Hildegard's feminine divine also serves as a model for women, particularly consecrated virgins, who represent the feminine divine on earth.
format article
author Britt Istoft
author_facet Britt Istoft
author_sort Britt Istoft
title For hendes ansigt skinnede som solen
title_short For hendes ansigt skinnede som solen
title_full For hendes ansigt skinnede som solen
title_fullStr For hendes ansigt skinnede som solen
title_full_unstemmed For hendes ansigt skinnede som solen
title_sort for hendes ansigt skinnede som solen
publisher The Royal Danish Library
publishDate 1997
url https://doaj.org/article/1cece2fcafd848cdb4b535da6ab6ecc2
work_keys_str_mv AT brittistoft forhendesansigtskinnedesomsolen
_version_ 1718406008203640832