1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five year...
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Asia Pacific Network
2019
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oai:doaj.org-article:1d414f8e1a164377a1a6477896979ae52021-12-02T08:06:26Z1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity10.24135/pjr.v25i1and2.4791023-94992324-2035https://doaj.org/article/1d414f8e1a164377a1a6477896979ae52019-07-01T00:00:00Zhttps://ojs.aut.ac.nz/pacific-journalism-review/article/view/479https://doaj.org/toc/1023-9499https://doaj.org/toc/2324-2035 The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey. Nasya BahfenAsia Pacific NetworkarticleAustraliacensusdiversityIslammedia representationsNew ZealandCommunication. Mass mediaP87-96Journalism. The periodical press, etc.PN4699-5650ENPacific Journalism Review, Vol 25, Iss 1&2 (2019) |
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Australia census diversity Islam media representations New Zealand Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650 |
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Australia census diversity Islam media representations New Zealand Communication. Mass media P87-96 Journalism. The periodical press, etc. PN4699-5650 Nasya Bahfen 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
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The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.
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Nasya Bahfen |
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Nasya Bahfen |
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Nasya Bahfen |
title |
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
title_short |
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
title_full |
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
title_fullStr |
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
title_full_unstemmed |
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity |
title_sort |
1950s vibe, 21st century audience: australia’s dearth of on-screen diversity |
publisher |
Asia Pacific Network |
publishDate |
2019 |
url |
https://doaj.org/article/1d414f8e1a164377a1a6477896979ae5 |
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AT nasyabahfen 1950svibe21stcenturyaudienceaustraliasdearthofonscreendiversity |
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