1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity

The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five year...

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Autor principal: Nasya Bahfen
Formato: article
Lenguaje:EN
Publicado: Asia Pacific Network 2019
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Acceso en línea:https://doaj.org/article/1d414f8e1a164377a1a6477896979ae5
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spelling oai:doaj.org-article:1d414f8e1a164377a1a6477896979ae52021-12-02T08:06:26Z1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity10.24135/pjr.v25i1and2.4791023-94992324-2035https://doaj.org/article/1d414f8e1a164377a1a6477896979ae52019-07-01T00:00:00Zhttps://ojs.aut.ac.nz/pacific-journalism-review/article/view/479https://doaj.org/toc/1023-9499https://doaj.org/toc/2324-2035 The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey. Nasya BahfenAsia Pacific NetworkarticleAustraliacensusdiversityIslammedia representationsNew ZealandCommunication. Mass mediaP87-96Journalism. The periodical press, etc.PN4699-5650ENPacific Journalism Review, Vol 25, Iss 1&2 (2019)
institution DOAJ
collection DOAJ
language EN
topic Australia
census
diversity
Islam
media representations
New Zealand
Communication. Mass media
P87-96
Journalism. The periodical press, etc.
PN4699-5650
spellingShingle Australia
census
diversity
Islam
media representations
New Zealand
Communication. Mass media
P87-96
Journalism. The periodical press, etc.
PN4699-5650
Nasya Bahfen
1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
description The difference between how multicultural Australia is ‘in real life’ and ‘in broadcasting’ can be seen through data from the Census, and from Screen Australia’s most recent research into on screen diversity. In 2016, these sources of data coincided with the Census, which takes place every five years. Conducted by the Australian Bureau of Statistics, this presents a ‘snapshot’ of Australian life. From the newest Census figures in 2016, it appears that nearly half of the population in Australia (49 percent) had either been born overseas (identifying as first generation Australian) or had one or both parents born overseas (identifying as second generation Australian). Nearly a third, or 32 percent, of Australians identified as having come from non-Anglo Celtic backgrounds, and 2.8 percent of Australians identify as Indigenous (Aboriginal or Torres Strait Islander). Nearly a fifth, or 18 percent, of Australians identify as having a disability. Screen Australia is the government agency that oversees film and TV funding and research. Conducted in 2016, Screen Australia’s study looked at 199 television dramas (fiction, excluding animation) that aired between 2011 and 2015. The comparison between these two sources of data reveals that with one exception, there is a marked disparity between diversity as depicted in the lived experiences of Australians and recorded by the Census, and diversity as depicted on screen and recorded by the Screen Australia survey.
format article
author Nasya Bahfen
author_facet Nasya Bahfen
author_sort Nasya Bahfen
title 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
title_short 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
title_full 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
title_fullStr 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
title_full_unstemmed 1950s vibe, 21st century audience: Australia’s dearth of on-screen diversity
title_sort 1950s vibe, 21st century audience: australia’s dearth of on-screen diversity
publisher Asia Pacific Network
publishDate 2019
url https://doaj.org/article/1d414f8e1a164377a1a6477896979ae5
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