Ciało jako medium postpamięci
In the post‑memory discourse the visual and textual remains – images and narrations – function as the main media connecting the present and the past. Whereas this text concentrates on the meaning of the body as a medium of memory transmission. On the one hand, recalling the corporeal aspects presen...
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Ksiegarnia Akademicka Publishing
2021
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oai:doaj.org-article:1de95534a237433db391ddae0fd7a0ec2021-11-27T13:07:58ZCiało jako medium postpamięci10.12797/Politeja.12.2015.35.091733-67162391-6737https://doaj.org/article/1de95534a237433db391ddae0fd7a0ec2021-06-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2322https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 In the post‑memory discourse the visual and textual remains – images and narrations – function as the main media connecting the present and the past. Whereas this text concentrates on the meaning of the body as a medium of memory transmission. On the one hand, recalling the corporeal aspects present in Marianne Hirsch’s works, on the other – Rebecca Schneider’s theories placing the question of the body as an archive in the very centre, as well as Alison Landsberg’s concept of prosthetic memories, the author shows how today’s theatre, performance and video art concerned with the issue of the Shoah, try to offer the possibility of the body‑to‑body transmission of history and collective experience. Dorota SajewskaKsiegarnia Akademicka Publishingarticleciałoarchiwumrekonstrukcjawideoświadectwodokument performatywnyLawKPolitical scienceJENPLPoliteja, Vol 12, Iss 3 (35) (2021) |
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ciało archiwum rekonstrukcja wideoświadectwo dokument performatywny Law K Political science J |
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ciało archiwum rekonstrukcja wideoświadectwo dokument performatywny Law K Political science J Dorota Sajewska Ciało jako medium postpamięci |
description |
In the post‑memory discourse the visual and textual remains – images and narrations – function as the main media connecting the present and the past. Whereas this text concentrates on the meaning of the body as a medium of memory transmission. On the one hand, recalling the corporeal aspects present in Marianne Hirsch’s works, on the other – Rebecca Schneider’s theories placing the question of the body as an archive in the very centre, as well as Alison Landsberg’s concept of prosthetic memories, the author shows how today’s theatre, performance and video art concerned with the issue of the Shoah, try to offer the possibility of the body‑to‑body transmission of history and collective experience.
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format |
article |
author |
Dorota Sajewska |
author_facet |
Dorota Sajewska |
author_sort |
Dorota Sajewska |
title |
Ciało jako medium postpamięci |
title_short |
Ciało jako medium postpamięci |
title_full |
Ciało jako medium postpamięci |
title_fullStr |
Ciało jako medium postpamięci |
title_full_unstemmed |
Ciało jako medium postpamięci |
title_sort |
ciało jako medium postpamięci |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2021 |
url |
https://doaj.org/article/1de95534a237433db391ddae0fd7a0ec |
work_keys_str_mv |
AT dorotasajewska ciałojakomediumpostpamieci |
_version_ |
1718408726922133504 |