Nueva Carne y <i>remake</i>: La mujer pantera

Nueva Carne y <i>remake</i>: La mujer pantera

This text examines the character of the cat-woman in Jacques Tourneur's Cat People (1942) and Paul Schrader's remake of the same title (1981), within the frame of the contemporary evolution of the sinister and its body representations, like David Cronenberg's "New Flesh". Th...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Pilar Pedraza
Formato: article
Lenguaje:CA
EN
ES
EU
FR
GL
IT
PT
Publicado: Universitat de Barcelona 2004
Materias:
Women. Feminism
HQ1101-2030.7
Acceso en línea:https://doaj.org/article/1f3331dd673c4ac496c7d49b137d61cf
Etiquetas: Agregar Etiqueta
Sin Etiquetas, Sea el primero en etiquetar este registro!
id oai:doaj.org-article:1f3331dd673c4ac496c7d49b137d61cf
record_format dspace
spelling oai:doaj.org-article:1f3331dd673c4ac496c7d49b137d61cf2021-12-02T19:42:51ZNueva Carne y <i>remake</i>: La mujer pantera1136-57812013-9470https://doaj.org/article/1f3331dd673c4ac496c7d49b137d61cf2004-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7062https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This text examines the character of the cat-woman in Jacques Tourneur's Cat People (1942) and Paul Schrader's remake of the same title (1981), within the frame of the contemporary evolution of the sinister and its body representations, like David Cronenberg's "New Flesh". The paper analyses both the difference between both versions of the film as well as the ideological implication of its plot and characters, arguing that Schrader's version is actually more conservative in its gender representations than the 1942 movie.Pilar PedrazaUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 10 (2004)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Pilar Pedraza
Nueva Carne y <i>remake</i>: La mujer pantera
description This text examines the character of the cat-woman in Jacques Tourneur's Cat People (1942) and Paul Schrader's remake of the same title (1981), within the frame of the contemporary evolution of the sinister and its body representations, like David Cronenberg's "New Flesh". The paper analyses both the difference between both versions of the film as well as the ideological implication of its plot and characters, arguing that Schrader's version is actually more conservative in its gender representations than the 1942 movie.
format article
author Pilar Pedraza
author_facet Pilar Pedraza
author_sort Pilar Pedraza
title Nueva Carne y <i>remake</i>: La mujer pantera
title_short Nueva Carne y <i>remake</i>: La mujer pantera
title_full Nueva Carne y <i>remake</i>: La mujer pantera
title_fullStr Nueva Carne y <i>remake</i>: La mujer pantera
title_full_unstemmed Nueva Carne y <i>remake</i>: La mujer pantera
title_sort nueva carne y <i>remake</i>: la mujer pantera
publisher Universitat de Barcelona
publishDate 2004
url https://doaj.org/article/1f3331dd673c4ac496c7d49b137d61cf
work_keys_str_mv AT pilarpedraza nuevacarneyiremakeilamujerpantera
_version_ 1718376073039708160

Ejemplares similares