Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”

The issues of creating a picture of the world in the story of the English writer E. F. Benson’s “Gavon’s Eve”. It is concluded that the picture of the world is organized by two external chronotopes: the chronotope of the Scottish village of Gavon, the chronotope of the Pictish fortress and the inter...

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Autor principal:	M. A. Burtseva
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2021
Materias:	e. f. benson gavon's eve gothic tradition worldview the space and time of the gothic story Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/1f641a5ab56f42ada7023c4f1e83e2a6
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id	oai:doaj.org-article:1f641a5ab56f42ada7023c4f1e83e2a6
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spelling	oai:doaj.org-article:1f641a5ab56f42ada7023c4f1e83e2a62021-12-02T07:58:14ZWorldview in Gothic Story by E. F. Benson “Gavon’s Eve”2225-756X2227-129510.24224/2227-1295-2021-6-192-206https://doaj.org/article/1f641a5ab56f42ada7023c4f1e83e2a62021-06-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/2800https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The issues of creating a picture of the world in the story of the English writer E. F. Benson’s “Gavon’s Eve”. It is concluded that the picture of the world is organized by two external chronotopes: the chronotope of the Scottish village of Gavon, the chronotope of the Pictish fortress and the internal chronotope, concentrated around the consciousness of the narrator. Attention is paid to the functioning of forms of artistic space and time, built on the principle of binary oppositions. It is shown that spatial correlations between external and internal, far and near, western and eastern have an increased semantic significance in the narrative. Particular attention is paid to the role of the spatial categories of up and down, revealing the author’s concept of the eternity of infernal evil. It has been proven that the key forms of artistic time are day and night, light and dark, past and present, which are traditional for Gothic subjects. The relevance of the study is due to the growing interest in the genre of gothic prose, which today is associated, in particular, with attempts to resist anti-humanistic, destructive trends in the life of modern society. The novelty of the research is seen in the fact that the issues of artistry of Gothic stories by E. F. Benson is still underresearched.M. A. BurtsevaTsentr nauchnykh i obrazovatelnykh proektovarticlee. f. bensongavon's evegothic traditionworldviewthe space and time of the gothic storySlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 6, Pp 192-206 (2021)
institution	DOAJ
collection	DOAJ
language	RU
topic	e. f. benson gavon's eve gothic tradition worldview the space and time of the gothic story Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	e. f. benson gavon's eve gothic tradition worldview the space and time of the gothic story Slavic languages. Baltic languages. Albanian languages PG1-9665 M. A. Burtseva Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
description	The issues of creating a picture of the world in the story of the English writer E. F. Benson’s “Gavon’s Eve”. It is concluded that the picture of the world is organized by two external chronotopes: the chronotope of the Scottish village of Gavon, the chronotope of the Pictish fortress and the internal chronotope, concentrated around the consciousness of the narrator. Attention is paid to the functioning of forms of artistic space and time, built on the principle of binary oppositions. It is shown that spatial correlations between external and internal, far and near, western and eastern have an increased semantic significance in the narrative. Particular attention is paid to the role of the spatial categories of up and down, revealing the author’s concept of the eternity of infernal evil. It has been proven that the key forms of artistic time are day and night, light and dark, past and present, which are traditional for Gothic subjects. The relevance of the study is due to the growing interest in the genre of gothic prose, which today is associated, in particular, with attempts to resist anti-humanistic, destructive trends in the life of modern society. The novelty of the research is seen in the fact that the issues of artistry of Gothic stories by E. F. Benson is still underresearched.
format	article
author	M. A. Burtseva
author_facet	M. A. Burtseva
author_sort	M. A. Burtseva
title	Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
title_short	Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
title_full	Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
title_fullStr	Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
title_full_unstemmed	Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”
title_sort	worldview in gothic story by e. f. benson “gavon’s eve”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2021
url	https://doaj.org/article/1f641a5ab56f42ada7023c4f1e83e2a6
work_keys_str_mv	AT maburtseva worldviewingothicstorybyefbensongavonseve
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Worldview in Gothic Story by E. F. Benson “Gavon’s Eve”

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