Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana

This text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions...

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Autor principal: Jesús Adrián Escudero
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Publicado: Universitat de Barcelona 2004
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Acceso en línea:https://doaj.org/article/1f741d16f63c404a97e1e8f4494767b3
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spelling oai:doaj.org-article:1f741d16f63c404a97e1e8f4494767b32021-12-02T19:36:55ZCuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana1136-57812013-9470https://doaj.org/article/1f741d16f63c404a97e1e8f4494767b32004-01-01T00:00:00Zhttp://revistes.ub.edu/index.php/lectora/article/view/7064https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470This text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions obsolete socially established identity patterns. The theoretical discussion of Sherman‚s pieces is based on Judith Butler‚s concept of "perfomativity" and Donna Haraway's idea of the cyborg. The paper seeks a reformulation, within the context of the new technological media used in contemporary artistic practices, of the waning borders between real and virtual bodies of women and men, gays and lesbians, transvestites and transexuals. In other words, the text seeks to explain the deep transformation that affects the very concept of human.Jesús Adrián EscuderoUniversitat de BarcelonaarticleWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 10 (2004)
institution DOAJ
collection DOAJ
language CA
EN
ES
EU
FR
GL
IT
PT
topic Women. Feminism
HQ1101-2030.7
spellingShingle Women. Feminism
HQ1101-2030.7
Jesús Adrián Escudero
Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
description This text focuses on the issue of human mutation within the frame of contemporary feminist aesthetics through the analysis of Cindy Sherman‚s photographic series Disastres (1986-1989) and Sex Pictures (1992). This work denounces harshly the gradual de-humanization of industrial society and questions obsolete socially established identity patterns. The theoretical discussion of Sherman‚s pieces is based on Judith Butler‚s concept of "perfomativity" and Donna Haraway's idea of the cyborg. The paper seeks a reformulation, within the context of the new technological media used in contemporary artistic practices, of the waning borders between real and virtual bodies of women and men, gays and lesbians, transvestites and transexuals. In other words, the text seeks to explain the deep transformation that affects the very concept of human.
format article
author Jesús Adrián Escudero
author_facet Jesús Adrián Escudero
author_sort Jesús Adrián Escudero
title Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_short Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_full Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_fullStr Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_full_unstemmed Cuerpo y transgresión. Cindy Sherman y la visión fotográfica de la mutación humana
title_sort cuerpo y transgresión. cindy sherman y la visión fotográfica de la mutación humana
publisher Universitat de Barcelona
publishDate 2004
url https://doaj.org/article/1f741d16f63c404a97e1e8f4494767b3
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