Angelopoulos' Ulysses Gaze: Where the Old meets the New

In this essay I will attempt to outline how Angelopoulos deals with the concepts of time and memory through an approach that does not treat the image as a 'given' to be illustrated, but as an open field where questions on perception and representation are asked. This leads me to question t...

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Autor principal:	Vangelis Makriyannakis
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2005
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/2004bd48a9494280ae20aa3e768fc44d
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spelling	oai:doaj.org-article:2004bd48a9494280ae20aa3e768fc44d2021-11-23T09:46:01ZAngelopoulos' Ulysses Gaze: Where the Old meets the New1749-9771https://doaj.org/article/2004bd48a9494280ae20aa3e768fc44d2005-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/548https://doaj.org/toc/1749-9771In this essay I will attempt to outline how Angelopoulos deals with the concepts of time and memory through an approach that does not treat the image as a 'given' to be illustrated, but as an open field where questions on perception and representation are asked. This leads me to question the director's insistence on the use of long takes and their apparent function as an attempt to trace meaning in what the director sees as an era of confusion after the collapse of the grand narratives of the Left. Deleuze's concept of the time image comes as one of the useful terms to speak about the film in the attempt to trace its originality.Vangelis MakriyannakisUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 01 (2005)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Vangelis Makriyannakis Angelopoulos' Ulysses Gaze: Where the Old meets the New
description	In this essay I will attempt to outline how Angelopoulos deals with the concepts of time and memory through an approach that does not treat the image as a 'given' to be illustrated, but as an open field where questions on perception and representation are asked. This leads me to question the director's insistence on the use of long takes and their apparent function as an attempt to trace meaning in what the director sees as an era of confusion after the collapse of the grand narratives of the Left. Deleuze's concept of the time image comes as one of the useful terms to speak about the film in the attempt to trace its originality.
format	article
author	Vangelis Makriyannakis
author_facet	Vangelis Makriyannakis
author_sort	Vangelis Makriyannakis
title	Angelopoulos' Ulysses Gaze: Where the Old meets the New
title_short	Angelopoulos' Ulysses Gaze: Where the Old meets the New
title_full	Angelopoulos' Ulysses Gaze: Where the Old meets the New
title_fullStr	Angelopoulos' Ulysses Gaze: Where the Old meets the New
title_full_unstemmed	Angelopoulos' Ulysses Gaze: Where the Old meets the New
title_sort	angelopoulos' ulysses gaze: where the old meets the new
publisher	University of Edinburgh
publishDate	2005
url	https://doaj.org/article/2004bd48a9494280ae20aa3e768fc44d
work_keys_str_mv	AT vangelismakriyannakis angelopoulosulyssesgazewheretheoldmeetsthenew
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Angelopoulos' Ulysses Gaze: Where the Old meets the New

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