THE APPLICATION OF ARCHETYPES IN WORKS OF RUSSIAN FILM POSTERS OF THE 20th CENTURY IN THE CONTEXT OF USING CONCEALED SYMBOLS IN TODAY’S ADVERTS OF GOODS AND SERVICES

Unfortunately, the film poster created by heart and soul of professional artists has disappeared from life of our country-men. The article shows the essence, content, esthetic aspects of film posters of the 20th century in connection with archetypes presence in them. It is possible to trace sources...

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Autor principal: Sergey A. Afonsky
Formato: article
Lenguaje:RU
Publicado: Plekhanov Russian University of Economics 2017
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Acceso en línea:https://doaj.org/article/2019270c451844529d61fd65d6c04e84
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Sumario:Unfortunately, the film poster created by heart and soul of professional artists has disappeared from life of our country-men. The article shows the essence, content, esthetic aspects of film posters of the 20th century in connection with archetypes presence in them. It is possible to trace sources that generate such ideas, through home film posters ways of their arising, conscious, subconscious or accidental are shown. The author came to the conclusion that availability of archetypes in today’s adverts attracts attention at the subconscious level, raises visual interest, helps affect customer decisions, makes potential respondent find, choose and buy the necessary product.