Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists
This paper discusses the relationship between the use of religious iconography related to eroticism by Spanish punk artists, and the gender stereotyping that the appropriation of these symbols aims to destabilize. The desire to shock and disturb the audience places these artists in a position where...
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Universitat de Barcelona
2017
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oai:doaj.org-article:2042076205354abba899e570dec0d1452021-11-21T13:11:23ZWarriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists1136-57812013-9470https://doaj.org/article/2042076205354abba899e570dec0d1452017-10-01T00:00:00Zhttps://revistes.ub.edu/index.php/lectora/article/view/20294https://doaj.org/toc/1136-5781https://doaj.org/toc/2013-9470 This paper discusses the relationship between the use of religious iconography related to eroticism by Spanish punk artists, and the gender stereotyping that the appropriation of these symbols aims to destabilize. The desire to shock and disturb the audience places these artists in a position where they have to challenge established values, such as religious and identity ones. There are many examples of male punk bands that openly rebel against organized religion, but the critique of these bands is direct, whereas women use eroticism to expose the patriarchal strategies of the church, as well as to project an image of themselves that breaks all expectations. Religious iconography becomes the tool for the ironic reevaluation and eventual destruction of cultural and gender structures as part of their artistic program. Cristina GarrigósUniversitat de BarcelonaarticlepunkreligionblasphemyeroticismWomen. FeminismHQ1101-2030.7CAENESEUFRGLITPTLectora: Revista de Dones i Textualitat, Iss 23 (2017) |
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punk religion blasphemy eroticism Women. Feminism HQ1101-2030.7 |
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punk religion blasphemy eroticism Women. Feminism HQ1101-2030.7 Cristina Garrigós Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
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This paper discusses the relationship between the use of religious iconography related to eroticism by Spanish punk artists, and the gender stereotyping that the appropriation of these symbols aims to destabilize. The desire to shock and disturb the audience places these artists in a position where they have to challenge established values, such as religious and identity ones. There are many examples of male punk bands that openly rebel against organized religion, but the critique of these bands is direct, whereas women use eroticism to expose the patriarchal strategies of the church, as well as to project an image of themselves that breaks all expectations. Religious iconography becomes the tool for the ironic reevaluation and eventual destruction of cultural and gender structures as part of their artistic program.
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format |
article |
author |
Cristina Garrigós |
author_facet |
Cristina Garrigós |
author_sort |
Cristina Garrigós |
title |
Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
title_short |
Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
title_full |
Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
title_fullStr |
Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
title_full_unstemmed |
Warriors and Mystics: Religious Iconography, Eroticism, Blasphemy and Gender in Punk Female Artists |
title_sort |
warriors and mystics: religious iconography, eroticism, blasphemy and gender in punk female artists |
publisher |
Universitat de Barcelona |
publishDate |
2017 |
url |
https://doaj.org/article/2042076205354abba899e570dec0d145 |
work_keys_str_mv |
AT cristinagarrigos warriorsandmysticsreligiousiconographyeroticismblasphemyandgenderinpunkfemaleartists |
_version_ |
1718418811505344512 |