History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”

The history of Russian translations of the I.-V. Goethe’s drama “Torquato Tasso” (1789) is discussed in the article. Responses testifying to the familiarity with this work of many Russian writers, in particular, V. A. Zhukovsky, N. V. Kukolnik, N. A. Polevoy, I. V. Kireevsky, N. I. Nadezhdin, I. S....

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Autores principales:	D. N. Zhatkin, N. L. Vasiliev
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	goethe t. tasso drama “torquato tasso” russian translations v. g. benediktov a. n. yakhontov s. m. soloviev v. a. sorgenfrey reception of the west european classics in russia Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/21a643471d894649a66a9de1b1df50ee
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spelling	oai:doaj.org-article:21a643471d894649a66a9de1b1df50ee2021-12-02T07:58:10ZHistory of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”2225-756X2227-129510.24224/2227-1295-2020-5-286-302https://doaj.org/article/21a643471d894649a66a9de1b1df50ee2020-05-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1510https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The history of Russian translations of the I.-V. Goethe’s drama “Torquato Tasso” (1789) is discussed in the article. Responses testifying to the familiarity with this work of many Russian writers, in particular, V. A. Zhukovsky, N. V. Kukolnik, N. A. Polevoy, I. V. Kireevsky, N. I. Nadezhdin, I. S. Turgenev, A. I. Herzen and others are systematized. The history of Russian Reception of the “Torquato Tasso”, dating back to the 1840s (A. N. Strugovschikov, N. M. Satin, A. N. Yakhontov, etc.), and its influence on aesthetic reflection in the era of romanticism and afterwards is discussed in the article. Particular attention is paid to the previously unknown translation of V. G. Benediktov (presumably the 1850s), preserved in the archives of the writer in the Russian National Library. Subsequent translations created by V. A. Sorgenfrey (1920-1921) and S. M. Soloviev (1933) are also analyzed. With the involvement of diary, epistolary and memoir materials, the activity of A. A. Blok as a translation editor by V. A. Sorgenfrey is conceptualized. The relevance of the study is due to the need to clarify the large-scale picture of the translation and literary critical reception of the West European classics in Russia.D. N. ZhatkinN. L. VasilievTsentr nauchnykh i obrazovatelnykh proektovarticlegoethet. tassodrama “torquato tasso”russian translationsv. g. benediktova. n. yakhontovs. m. solovievv. a. sorgenfreyreception of the west european classics in russiaSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 5, Pp 286-302 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	goethe t. tasso drama “torquato tasso” russian translations v. g. benediktov a. n. yakhontov s. m. soloviev v. a. sorgenfrey reception of the west european classics in russia Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	goethe t. tasso drama “torquato tasso” russian translations v. g. benediktov a. n. yakhontov s. m. soloviev v. a. sorgenfrey reception of the west european classics in russia Slavic languages. Baltic languages. Albanian languages PG1-9665 D. N. Zhatkin N. L. Vasiliev History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
description	The history of Russian translations of the I.-V. Goethe’s drama “Torquato Tasso” (1789) is discussed in the article. Responses testifying to the familiarity with this work of many Russian writers, in particular, V. A. Zhukovsky, N. V. Kukolnik, N. A. Polevoy, I. V. Kireevsky, N. I. Nadezhdin, I. S. Turgenev, A. I. Herzen and others are systematized. The history of Russian Reception of the “Torquato Tasso”, dating back to the 1840s (A. N. Strugovschikov, N. M. Satin, A. N. Yakhontov, etc.), and its influence on aesthetic reflection in the era of romanticism and afterwards is discussed in the article. Particular attention is paid to the previously unknown translation of V. G. Benediktov (presumably the 1850s), preserved in the archives of the writer in the Russian National Library. Subsequent translations created by V. A. Sorgenfrey (1920-1921) and S. M. Soloviev (1933) are also analyzed. With the involvement of diary, epistolary and memoir materials, the activity of A. A. Blok as a translation editor by V. A. Sorgenfrey is conceptualized. The relevance of the study is due to the need to clarify the large-scale picture of the translation and literary critical reception of the West European classics in Russia.
format	article
author	D. N. Zhatkin N. L. Vasiliev
author_facet	D. N. Zhatkin N. L. Vasiliev
author_sort	D. N. Zhatkin
title	History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
title_short	History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
title_full	History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
title_fullStr	History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
title_full_unstemmed	History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
title_sort	history of russian reception of drama i.-v. goethe’s “torquato tasso”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/21a643471d894649a66a9de1b1df50ee
work_keys_str_mv	AT dnzhatkin historyofrussianreceptionofdramaivgoethestorquatotasso AT nlvasiliev historyofrussianreceptionofdramaivgoethestorquatotasso
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History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”

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