On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries

The article identifies key problems of modern genology, such as the lack of unified criteria for the definition of the genre as an aesthetic category, subjectivity of genre relatedness in new concepts of the genre, the lack of a widely acceptable genre classifications and genre systems. Relevance of...

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Autores principales:	O. K. Strashkova, I. A. Babenko, I. V. Kupreyeva
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	generic-specific differentiation of art genology dramatic mode genre drama modernism avant-garde postmodernism meta-genre artistic experiment conventionality Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/220ec4d2a292428eb7f61de8ff6f310e
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spelling	oai:doaj.org-article:220ec4d2a292428eb7f61de8ff6f310e2021-12-02T07:58:02ZOn Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries2225-756X2227-129510.24224/2227-1295-2017-12-251-262https://doaj.org/article/220ec4d2a292428eb7f61de8ff6f310e2017-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/642https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article identifies key problems of modern genology, such as the lack of unified criteria for the definition of the genre as an aesthetic category, subjectivity of genre relatedness in new concepts of the genre, the lack of a widely acceptable genre classifications and genre systems. Relevance of the study of a unified genre model of literature of 20th-21st centuries dramaturgy is proved with categorical position of dramatic genres transformation, synthesis / syncretism of homogeneous and heterogeneous form-and-content units in the whole structure of the dramatic text. Prospective directions of this study are designated. The definition of the category “meta-genre” is given. New principle of construction of genre models in latest domestic dramaturgy built on the basis of transgressive compounds-mates is demonstrated. There is an increase in the proportion of subjective principle in the artistic modeling of the present. The newest Russian dramaturgy is primarily considered as a dialogical zone of aesthetic experimentation and sustained literary traditions. At this, the integrity of the ontogeny of dramatic text in Russia, the continuity of stages of development and typological intersection of the “new drama,” “new wave,” “new new drama” with the dramaturgic heritage of the 19th century are emphasized. All marked characteristic features of the considered dramatic material are based on the realities of the complex socio-cultural construction and paradoxes of the metaphysical existence of 20th-21st centuries.O. K. StrashkovaI. A. BabenkoI. V. KupreyevaTsentr nauchnykh i obrazovatelnykh proektovarticlegeneric-specific differentiation of artgenologydramatic modegenredramamodernismavant-gardepostmodernismmeta-genreartistic experimentconventionalitySlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 12, Pp 251-262 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	generic-specific differentiation of art genology dramatic mode genre drama modernism avant-garde postmodernism meta-genre artistic experiment conventionality Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	generic-specific differentiation of art genology dramatic mode genre drama modernism avant-garde postmodernism meta-genre artistic experiment conventionality Slavic languages. Baltic languages. Albanian languages PG1-9665 O. K. Strashkova I. A. Babenko I. V. Kupreyeva On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
description	The article identifies key problems of modern genology, such as the lack of unified criteria for the definition of the genre as an aesthetic category, subjectivity of genre relatedness in new concepts of the genre, the lack of a widely acceptable genre classifications and genre systems. Relevance of the study of a unified genre model of literature of 20th-21st centuries dramaturgy is proved with categorical position of dramatic genres transformation, synthesis / syncretism of homogeneous and heterogeneous form-and-content units in the whole structure of the dramatic text. Prospective directions of this study are designated. The definition of the category “meta-genre” is given. New principle of construction of genre models in latest domestic dramaturgy built on the basis of transgressive compounds-mates is demonstrated. There is an increase in the proportion of subjective principle in the artistic modeling of the present. The newest Russian dramaturgy is primarily considered as a dialogical zone of aesthetic experimentation and sustained literary traditions. At this, the integrity of the ontogeny of dramatic text in Russia, the continuity of stages of development and typological intersection of the “new drama,” “new wave,” “new new drama” with the dramaturgic heritage of the 19th century are emphasized. All marked characteristic features of the considered dramatic material are based on the realities of the complex socio-cultural construction and paradoxes of the metaphysical existence of 20th-21st centuries.
format	article
author	O. K. Strashkova I. A. Babenko I. V. Kupreyeva
author_facet	O. K. Strashkova I. A. Babenko I. V. Kupreyeva
author_sort	O. K. Strashkova
title	On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
title_short	On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
title_full	On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
title_fullStr	On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
title_full_unstemmed	On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries
title_sort	on question about actual problems of study of genre synthesis origins in poetics of russian literature of 20th-21st centuries
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/220ec4d2a292428eb7f61de8ff6f310e
work_keys_str_mv	AT okstrashkova onquestionaboutactualproblemsofstudyofgenresynthesisoriginsinpoeticsofrussianliteratureof20th21stcenturies AT iababenko onquestionaboutactualproblemsofstudyofgenresynthesisoriginsinpoeticsofrussianliteratureof20th21stcenturies AT ivkupreyeva onquestionaboutactualproblemsofstudyofgenresynthesisoriginsinpoeticsofrussianliteratureof20th21stcenturies
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On Question about Actual Problems of Study of Genre Synthesis Origins in Poetics of Russian Literature of 20th-21st Centuries

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