Citation et autocitation dans la peinture de Greco
Starting from the very project of the great Greco retrospective (Grand Palais, Paris), the main topic here is to evoke, in a diachronic way, the unique course of Greco, in order to highlight his singular initiatory path of formation which led him to invent his palimpsest painting in which the modern...
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
2021
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| Acceso en línea: | https://doaj.org/article/223d530544b6445cb83d2087c33c7c8e |
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oai:doaj.org-article:223d530544b6445cb83d2087c33c7c8e2021-12-02T09:52:56ZCitation et autocitation dans la peinture de Greco1951-616910.4000/e-spania.41560https://doaj.org/article/223d530544b6445cb83d2087c33c7c8e2021-10-01T00:00:00Zhttp://journals.openedition.org/e-spania/41560https://doaj.org/toc/1951-6169Starting from the very project of the great Greco retrospective (Grand Palais, Paris), the main topic here is to evoke, in a diachronic way, the unique course of Greco, in order to highlight his singular initiatory path of formation which led him to invent his palimpsest painting in which the moderns and the avant-garde recognized themselves. This article is organized into three stages: tradition and innovation; invention and variations; borrowing and reformulations. Drawing on numerous examples, the subject demonstrates the coherence and evolution of Greco's painting from one of its fundamental characteristics: the serial process.Guillaume KientzCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonnearticleGrecotraditioninnovationinventionvariationsborrowingHistory (General) and history of EuropeDHistory of SpainDP1-402ESFRLAPTE-Spania, Vol 40 (2021) |
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DOAJ |
| collection |
DOAJ |
| language |
ES FR LA PT |
| topic |
Greco tradition innovation invention variations borrowing History (General) and history of Europe D History of Spain DP1-402 |
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Greco tradition innovation invention variations borrowing History (General) and history of Europe D History of Spain DP1-402 Guillaume Kientz Citation et autocitation dans la peinture de Greco |
| description |
Starting from the very project of the great Greco retrospective (Grand Palais, Paris), the main topic here is to evoke, in a diachronic way, the unique course of Greco, in order to highlight his singular initiatory path of formation which led him to invent his palimpsest painting in which the moderns and the avant-garde recognized themselves. This article is organized into three stages: tradition and innovation; invention and variations; borrowing and reformulations. Drawing on numerous examples, the subject demonstrates the coherence and evolution of Greco's painting from one of its fundamental characteristics: the serial process. |
| format |
article |
| author |
Guillaume Kientz |
| author_facet |
Guillaume Kientz |
| author_sort |
Guillaume Kientz |
| title |
Citation et autocitation dans la peinture de Greco |
| title_short |
Citation et autocitation dans la peinture de Greco |
| title_full |
Citation et autocitation dans la peinture de Greco |
| title_fullStr |
Citation et autocitation dans la peinture de Greco |
| title_full_unstemmed |
Citation et autocitation dans la peinture de Greco |
| title_sort |
citation et autocitation dans la peinture de greco |
| publisher |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
| publishDate |
2021 |
| url |
https://doaj.org/article/223d530544b6445cb83d2087c33c7c8e |
| work_keys_str_mv |
AT guillaumekientz citationetautocitationdanslapeinturedegreco |
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