Hipertekst jako medium postpamięci
The paper presents hypertext as a matrix of contemporary forms of remembering. This text is a part of research focused on the representations of the Holocaust on the Internet. The main thesis of this article is: the ways of remembering of the Holocaust on Twitter imply and form also the ways of obl...
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Ksiegarnia Akademicka Publishing
2021
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oai:doaj.org-article:224a6fdbce4545c7b4e92e6e5836418d2021-11-27T13:08:00ZHipertekst jako medium postpamięci10.12797/Politeja.12.2015.35.061733-67162391-6737https://doaj.org/article/224a6fdbce4545c7b4e92e6e5836418d2021-06-01T00:00:00Zhttps://journals.akademicka.pl/politeja/article/view/2319https://doaj.org/toc/1733-6716https://doaj.org/toc/2391-6737 The paper presents hypertext as a matrix of contemporary forms of remembering. This text is a part of research focused on the representations of the Holocaust on the Internet. The main thesis of this article is: the ways of remembering of the Holocaust on Twitter imply and form also the ways of oblivion of the past. The article consists of four main parts. First part, titled Open cognitive categories, refers to methodological issues. Second part, titled Hypertext as a medium of postmemory, reveals relations between digital media and contemporary forms of remembering. Third part, titled Almost diary, shows examples of hypertextual representations of the Holocaust on Twitter. Fourth part, titled Two vectors, concerns confrontation between postmemory and postoblivion of the Holocaust. Marek KaźmierczakKsiegarnia Akademicka PublishingarticlehipertekstmediumpostpamięćpostzapominanieHolokausttekstLawKPolitical scienceJENPLPoliteja, Vol 12, Iss 3 (35) (2021) |
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hipertekst medium postpamięć postzapominanie Holokaust tekst Law K Political science J |
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hipertekst medium postpamięć postzapominanie Holokaust tekst Law K Political science J Marek Kaźmierczak Hipertekst jako medium postpamięci |
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The paper presents hypertext as a matrix of contemporary forms of remembering. This text is a part of research focused on the representations of the Holocaust on the Internet. The main thesis of this article is: the ways of remembering of the Holocaust on Twitter imply and form also the ways of oblivion of the past. The article consists of four main parts. First part, titled Open cognitive categories, refers to methodological issues. Second part, titled Hypertext as a medium of postmemory, reveals relations between digital media and contemporary forms of remembering. Third part, titled Almost diary, shows examples of hypertextual representations of the Holocaust on Twitter. Fourth part, titled Two vectors, concerns confrontation between postmemory and postoblivion of the Holocaust.
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format |
article |
author |
Marek Kaźmierczak |
author_facet |
Marek Kaźmierczak |
author_sort |
Marek Kaźmierczak |
title |
Hipertekst jako medium postpamięci |
title_short |
Hipertekst jako medium postpamięci |
title_full |
Hipertekst jako medium postpamięci |
title_fullStr |
Hipertekst jako medium postpamięci |
title_full_unstemmed |
Hipertekst jako medium postpamięci |
title_sort |
hipertekst jako medium postpamięci |
publisher |
Ksiegarnia Akademicka Publishing |
publishDate |
2021 |
url |
https://doaj.org/article/224a6fdbce4545c7b4e92e6e5836418d |
work_keys_str_mv |
AT marekkazmierczak hipertekstjakomediumpostpamieci |
_version_ |
1718408728190910464 |