Introduction
John Barclay’s Argenis (1621) is a Neo-Latin political romance that tells the story of the chaste passion of the only daughter of the king of Sicily for a foreign nobleman to whom she is secretly betrothed. It was one of the most widely read and imitated novels of the seventeenth century, with numer...
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Universitat de Girona; Universitat Autònoma de Barcelona
2016
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oai:doaj.org-article:22a4b0e06a784f85a8b5587d6c0fc8ef2021-12-05T10:14:33ZIntroduction10.5565/rev/studiaaurea.2031988-1088https://doaj.org/article/22a4b0e06a784f85a8b5587d6c0fc8ef2016-11-01T00:00:00Zhttps://studiaaurea.com/article/view/203https://doaj.org/toc/1988-1088John Barclay’s Argenis (1621) is a Neo-Latin political romance that tells the story of the chaste passion of the only daughter of the king of Sicily for a foreign nobleman to whom she is secretly betrothed. It was one of the most widely read and imitated novels of the seventeenth century, with numerous prose translations, abridgements, and sequels in all the major languages of Europe. Although a great novel does not necessarily make a great play, Barclay’s story also had authentic dramatic potential, and it was adapted for the stage five times, in French (twice), Spanish, German, and Italian, from the 1620s to the end of the century. This essay introduces the main features of Barclay’s work, sketches its literary and political context, and suggests reasons why Barclay’s stimulating combination of politics and romance was so attractive to the three playwrights discussed in this cluster: Pierre Du Ryer, Pedro Calderón de la Barca, and Christian Weise.Jacqueline GlomskiUniversitat de Girona; Universitat Autònoma de BarcelonaarticleJohn Barclayromance fictiontheatrical adaptationNeo-Latin literatureFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999CAENESStudia Aurea: Revista de Literatura Española y Teoría Literaria del Renacimiento y Siglo de Oro, Vol 10 (2016) |
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CA EN ES |
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John Barclay romance fiction theatrical adaptation Neo-Latin literature French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 |
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John Barclay romance fiction theatrical adaptation Neo-Latin literature French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Jacqueline Glomski Introduction |
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John Barclay’s Argenis (1621) is a Neo-Latin political romance that tells the story of the chaste passion of the only daughter of the king of Sicily for a foreign nobleman to whom she is secretly betrothed. It was one of the most widely read and imitated novels of the seventeenth century, with numerous prose translations, abridgements, and sequels in all the major languages of Europe. Although a great novel does not necessarily make a great play, Barclay’s story also had authentic dramatic potential, and it was adapted for the stage five times, in French (twice), Spanish, German, and Italian, from the 1620s to the end of the century. This essay introduces the main features of Barclay’s work, sketches its literary and political context, and suggests reasons why Barclay’s stimulating combination of politics and romance was so attractive to the three playwrights discussed in this cluster: Pierre Du Ryer, Pedro Calderón de la Barca, and Christian Weise. |
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article |
author |
Jacqueline Glomski |
author_facet |
Jacqueline Glomski |
author_sort |
Jacqueline Glomski |
title |
Introduction |
title_short |
Introduction |
title_full |
Introduction |
title_fullStr |
Introduction |
title_full_unstemmed |
Introduction |
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introduction |
publisher |
Universitat de Girona; Universitat Autònoma de Barcelona |
publishDate |
2016 |
url |
https://doaj.org/article/22a4b0e06a784f85a8b5587d6c0fc8ef |
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AT jacquelineglomski introduction |
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1718372424874983424 |