What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays

For this feature, curators working with museum collections that represented the British Atlantic were asked to revisit and revise a label on a decorative arts object that they had previously written. The aim was to show the hidden mechanics involved in condensing a complex story around an object’s h...

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Auteur principal: Iris Moon
Format: article
Langue:EN
Publié: Yale University 2021
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spelling oai:doaj.org-article:255029f6c7874b28a4f745b5389535e32021-12-01T11:01:38ZWhat’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays10.17658/issn.2058-5462/issue-21/labels2058-5462https://doaj.org/article/255029f6c7874b28a4f745b5389535e32021-11-01T00:00:00Zhttps://britishartstudies.ac.uk/issues/issue-index/issue-21/revising-narratives-of-the-decorative-artshttps://doaj.org/toc/2058-5462For this feature, curators working with museum collections that represented the British Atlantic were asked to revisit and revise a label on a decorative arts object that they had previously written. The aim was to show the hidden mechanics involved in condensing a complex story around an object’s history into a short text dictated by the physical size of the label. When that small and unassuming piece of paper sitting next to an object carries much of the interpretative weight in a museum, there are many factors involved in label-writing. Do you write from the neutral position of the institution? Or do you speak from lived experience? The responses gathered here adopt multiple formats. Some are accompanied by commentary, while others appear simply with the changes tracked. There are many different ways of thinking about what—and what doesn’t—end up going onto a label. Revealed too are the variety of different visitors that each curator imagines addressing as the reader of their text.Iris MoonYale UniversityarticleFine ArtsNArts in generalNX1-820ENBritish Art Studies, Iss 21 (2021)
institution DOAJ
collection DOAJ
language EN
topic Fine Arts
N
Arts in general
NX1-820
spellingShingle Fine Arts
N
Arts in general
NX1-820
Iris Moon
What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
description For this feature, curators working with museum collections that represented the British Atlantic were asked to revisit and revise a label on a decorative arts object that they had previously written. The aim was to show the hidden mechanics involved in condensing a complex story around an object’s history into a short text dictated by the physical size of the label. When that small and unassuming piece of paper sitting next to an object carries much of the interpretative weight in a museum, there are many factors involved in label-writing. Do you write from the neutral position of the institution? Or do you speak from lived experience? The responses gathered here adopt multiple formats. Some are accompanied by commentary, while others appear simply with the changes tracked. There are many different ways of thinking about what—and what doesn’t—end up going onto a label. Revealed too are the variety of different visitors that each curator imagines addressing as the reader of their text.
format article
author Iris Moon
author_facet Iris Moon
author_sort Iris Moon
title What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
title_short What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
title_full What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
title_fullStr What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
title_full_unstemmed What’s in a Label? Revising Narratives of the Decorative Arts in Museum Displays
title_sort what’s in a label? revising narratives of the decorative arts in museum displays
publisher Yale University
publishDate 2021
url https://doaj.org/article/255029f6c7874b28a4f745b5389535e3
work_keys_str_mv AT irismoon whatsinalabelrevisingnarrativesofthedecorativeartsinmuseumdisplays
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