El Greco como pintor al servicio de la Contrarreforma
Doménikos Theotokopoulos lived and worked during the heart of the 16th century's religious zeal. The creation of a series of iconographies, which were in accordance with the Counter-reformation precepts or, on the contrary, deviated from them, marked the success of his work among his clientele...
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
2021
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oai:doaj.org-article:26739697188349bf9c0d2a2163fdc92d2021-12-02T09:52:59ZEl Greco como pintor al servicio de la Contrarreforma1951-616910.4000/e-spania.41788https://doaj.org/article/26739697188349bf9c0d2a2163fdc92d2021-10-01T00:00:00Zhttp://journals.openedition.org/e-spania/41788https://doaj.org/toc/1951-6169Doménikos Theotokopoulos lived and worked during the heart of the 16th century's religious zeal. The creation of a series of iconographies, which were in accordance with the Counter-reformation precepts or, on the contrary, deviated from them, marked the success of his work among his clientele from Toledo and from Madrid. Even nowadays we continue demystifying the Cretan painter as a mystic, and having to defend him being a philosopher-painter or intellectual humanist. There are multiple unknowns around his figure, specially about his interets in religiuos matters or if his works responded only to market interest.Pilar Rubiales FuentesCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonnearticleGrecoCatholic ReformationreligionpaintinghumanismiconographyHistory (General) and history of EuropeDHistory of SpainDP1-402ESFRLAPTE-Spania, Vol 40 (2021) |
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ES FR LA PT |
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Greco Catholic Reformation religion painting humanism iconography History (General) and history of Europe D History of Spain DP1-402 |
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Greco Catholic Reformation religion painting humanism iconography History (General) and history of Europe D History of Spain DP1-402 Pilar Rubiales Fuentes El Greco como pintor al servicio de la Contrarreforma |
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Doménikos Theotokopoulos lived and worked during the heart of the 16th century's religious zeal. The creation of a series of iconographies, which were in accordance with the Counter-reformation precepts or, on the contrary, deviated from them, marked the success of his work among his clientele from Toledo and from Madrid. Even nowadays we continue demystifying the Cretan painter as a mystic, and having to defend him being a philosopher-painter or intellectual humanist. There are multiple unknowns around his figure, specially about his interets in religiuos matters or if his works responded only to market interest. |
format |
article |
author |
Pilar Rubiales Fuentes |
author_facet |
Pilar Rubiales Fuentes |
author_sort |
Pilar Rubiales Fuentes |
title |
El Greco como pintor al servicio de la Contrarreforma |
title_short |
El Greco como pintor al servicio de la Contrarreforma |
title_full |
El Greco como pintor al servicio de la Contrarreforma |
title_fullStr |
El Greco como pintor al servicio de la Contrarreforma |
title_full_unstemmed |
El Greco como pintor al servicio de la Contrarreforma |
title_sort |
el greco como pintor al servicio de la contrarreforma |
publisher |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
publishDate |
2021 |
url |
https://doaj.org/article/26739697188349bf9c0d2a2163fdc92d |
work_keys_str_mv |
AT pilarrubialesfuentes elgrecocomopintoralserviciodelacontrarreforma |
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1718397933866450944 |