Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas

The concept of technique has dominated the architectural discourse since the origins of the discipline. Although the philosophical meaning that sees the human mark and erosion on the natural environment in technical processes is widely accepted, the canonical treatises on architecture have barely de...

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Autores principales:	Josep Ferrando, Albert Chavarria
Formato:	article
Lenguaje:	ES
Publicado:	redfundamentos SL 2021
Materias:	tekné artificial geography site mark relief horizontal joão vilanova artigas Architecture NA1-9428
Acceso en línea:	https://doaj.org/article/26efe5abd00d4739b79ecfeb3028b177
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id	oai:doaj.org-article:26efe5abd00d4739b79ecfeb3028b177
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spelling	oai:doaj.org-article:26efe5abd00d4739b79ecfeb3028b1772021-12-01T05:09:41ZTécnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas10.24192/2386-7027(2021)(v16)(14)2340-97112386-7027https://doaj.org/article/26efe5abd00d4739b79ecfeb3028b1772021-11-01T00:00:00Zhttp://ojs.redfundamentos.com/index.php/rita/article/view/592https://doaj.org/toc/2340-9711https://doaj.org/toc/2386-7027The concept of technique has dominated the architectural discourse since the origins of the discipline. Although the philosophical meaning that sees the human mark and erosion on the natural environment in technical processes is widely accepted, the canonical treatises on architecture have barely delved into the rectification of the soil as a true fundamental and foundational action of the habitat on the landscape. The manipulation of the ground zero level and the creation of the horizontal plane establish, as an artifice, an origin coordinate for both the architecture and the memory of the site. Hence the interest aroused by the underlying ideology in many of the works of the so-called Escola Paulista (decades from 1950 to 1970), and especially of the architect João Batista Vilanova Artigas (Curitiba, 1915-1985), analysed here as built geographies since the synthesis that the sections allow. The configuration of the soils in the Artigas spaces goes beyond the functional character of the program to achieve a greater, almost ideological purpose, of rooted in the urban and political reality of Brazil in the sixties. The sections of his exemplary projects, understood as plateaus, folded streets and expansive orographies, will be revealed as a kind of universal relief.Josep FerrandoAlbert Chavarriaredfundamentos SLarticleteknéartificial geographysitemarkreliefhorizontaljoão vilanova artigasArchitectureNA1-9428ESRevista Indexada de Textos Académicos, Iss 16, Pp 150-167 (2021)
institution	DOAJ
collection	DOAJ
language	ES
topic	tekné artificial geography site mark relief horizontal joão vilanova artigas Architecture NA1-9428
spellingShingle	tekné artificial geography site mark relief horizontal joão vilanova artigas Architecture NA1-9428 Josep Ferrando Albert Chavarria Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
description	The concept of technique has dominated the architectural discourse since the origins of the discipline. Although the philosophical meaning that sees the human mark and erosion on the natural environment in technical processes is widely accepted, the canonical treatises on architecture have barely delved into the rectification of the soil as a true fundamental and foundational action of the habitat on the landscape. The manipulation of the ground zero level and the creation of the horizontal plane establish, as an artifice, an origin coordinate for both the architecture and the memory of the site. Hence the interest aroused by the underlying ideology in many of the works of the so-called Escola Paulista (decades from 1950 to 1970), and especially of the architect João Batista Vilanova Artigas (Curitiba, 1915-1985), analysed here as built geographies since the synthesis that the sections allow. The configuration of the soils in the Artigas spaces goes beyond the functional character of the program to achieve a greater, almost ideological purpose, of rooted in the urban and political reality of Brazil in the sixties. The sections of his exemplary projects, understood as plateaus, folded streets and expansive orographies, will be revealed as a kind of universal relief.
format	article
author	Josep Ferrando Albert Chavarria
author_facet	Josep Ferrando Albert Chavarria
author_sort	Josep Ferrando
title	Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
title_short	Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
title_full	Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
title_fullStr	Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
title_full_unstemmed	Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas
title_sort	técnica y suelo. geografías artificiales en la obra de joão vilanova artigas
publisher	redfundamentos SL
publishDate	2021
url	https://doaj.org/article/26efe5abd00d4739b79ecfeb3028b177
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Técnica y suelo. Geografías artificiales en la obra de João Vilanova Artigas

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