Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness

One of the components of the grammatical structure of the art text - comparative construction - is considered. The authors believe that through the analysis of the comparisons it is possible to comprehend the peculiarities of the worldview and language of the writer. The research urgency is caused b...

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Autores principales:	A. A. Mamedov, V. D. Kobelev
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2017
Materias:	comparative construction author’s consciousness tropes theory of conceptual metaphor cognitive analysis Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/26f2e052258c4855b3576df10645622c
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spelling	oai:doaj.org-article:26f2e052258c4855b3576df10645622c2021-12-02T07:58:01ZAnalysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness2225-756X2227-129510.24224/2227-1295-2017-9-31-41https://doaj.org/article/26f2e052258c4855b3576df10645622c2017-09-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/508https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295One of the components of the grammatical structure of the art text - comparative construction - is considered. The authors believe that through the analysis of the comparisons it is possible to comprehend the peculiarities of the worldview and language of the writer. The research urgency is caused by the fact that the study of grammar in the cognitive aspect is based on the anthropocentric direction of modern linguistics. The novelty lies in the combination of structural-semantic and cognitive methods of analysis of language units with the aim of reconstructing the author’s consciousness. The definitions for the components of the structure of comparative constructions are given. Comparative constructions selected by continuous sampling from Esenin’s “small” poems and his poem “Pugachev” are comprehensively considered: from the point of view of formal-semantic organization, as a means of organizing the artistic image and in the light of the theory of conceptual metaphor. Structural-semantic classification of comparative constructions are developed. In addition, they are seen as a means of creating a syncretic art image. In this case attention is paid to their relationship with such tropes, as metaphor, metamorphosis, impersonation. The result of the cognitive analysis the field-target and area-sources of all selected comparative constructions are described. The study reveals the dominances of Esenin’s author consciousness and traces their change.A. A. MamedovV. D. KobelevTsentr nauchnykh i obrazovatelnykh proektovarticlecomparative constructionauthor’s consciousnesstropestheory of conceptual metaphorcognitive analysisSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 9, Pp 31-41 (2017)
institution	DOAJ
collection	DOAJ
language	RU
topic	comparative construction author’s consciousness tropes theory of conceptual metaphor cognitive analysis Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	comparative construction author’s consciousness tropes theory of conceptual metaphor cognitive analysis Slavic languages. Baltic languages. Albanian languages PG1-9665 A. A. Mamedov V. D. Kobelev Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
description	One of the components of the grammatical structure of the art text - comparative construction - is considered. The authors believe that through the analysis of the comparisons it is possible to comprehend the peculiarities of the worldview and language of the writer. The research urgency is caused by the fact that the study of grammar in the cognitive aspect is based on the anthropocentric direction of modern linguistics. The novelty lies in the combination of structural-semantic and cognitive methods of analysis of language units with the aim of reconstructing the author’s consciousness. The definitions for the components of the structure of comparative constructions are given. Comparative constructions selected by continuous sampling from Esenin’s “small” poems and his poem “Pugachev” are comprehensively considered: from the point of view of formal-semantic organization, as a means of organizing the artistic image and in the light of the theory of conceptual metaphor. Structural-semantic classification of comparative constructions are developed. In addition, they are seen as a means of creating a syncretic art image. In this case attention is paid to their relationship with such tropes, as metaphor, metamorphosis, impersonation. The result of the cognitive analysis the field-target and area-sources of all selected comparative constructions are described. The study reveals the dominances of Esenin’s author consciousness and traces their change.
format	article
author	A. A. Mamedov V. D. Kobelev
author_facet	A. A. Mamedov V. D. Kobelev
author_sort	A. A. Mamedov
title	Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
title_short	Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
title_full	Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
title_fullStr	Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
title_full_unstemmed	Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness
title_sort	analysis of comparative constructions as means of reconstructing the author’s consciousness
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2017
url	https://doaj.org/article/26f2e052258c4855b3576df10645622c
work_keys_str_mv	AT aamamedov analysisofcomparativeconstructionsasmeansofreconstructingtheauthorsconsciousness AT vdkobelev analysisofcomparativeconstructionsasmeansofreconstructingtheauthorsconsciousness
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Analysis of Comparative Constructions as Means of Reconstructing the Author’s Consciousness

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