O parricídio como espetáculo da violência: O dia em que matei meu pai

The first person narrative voice in the novel by Mario Sabino, O dia em que matei meu pai, builds an universe composed of two coordinates, one follows the logic of subjective pleasure/perversion where the characters show social pathology des- cribed by the narrator as a result of a context governed...

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Autor principal:	Aileen El-Kadi
Formato:	article
Lenguaje:	ES PT
Publicado:	Universidade de Brasília 2011
Materias:	parricide spectacle performance evil hyperreality mario sabino French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
Acceso en línea:	https://doaj.org/article/27c12a83b3cc4f809f94baab1f9445fc
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id	oai:doaj.org-article:27c12a83b3cc4f809f94baab1f9445fc
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spelling	oai:doaj.org-article:27c12a83b3cc4f809f94baab1f9445fc2021-11-11T15:52:07ZO parricídio como espetáculo da violência: O dia em que matei meu pai1518-01582316-4018https://doaj.org/article/27c12a83b3cc4f809f94baab1f9445fc2011-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=323127102013https://doaj.org/toc/1518-0158https://doaj.org/toc/2316-4018The first person narrative voice in the novel by Mario Sabino, O dia em que matei meu pai, builds an universe composed of two coordinates, one follows the logic of subjective pleasure/perversion where the characters show social pathology des- cribed by the narrator as a result of a context governed by psychological violence and amorality, and where the dynamics is always erotic, the other component is spectacular as the axis from which the characters seem to represent roles built based on stereotypes that arise from mass culture. The father’s murder by the protagonist and the way he confesses the crime at the beginning of the novel com- bine the two core values we find in the author’s aesthetic proposed: the amount of violence and spectacle for the representation of contemporary society.Aileen El-KadiUniversidade de Brasíliaarticleparricidespectacleperformanceevilhyperrealitymario sabinoFrench literature - Italian literature - Spanish literature - Portuguese literaturePQ1-3999ESPTEstudos de Literatura Brasileira Contemporânea, Iss 37, Pp 201-209 (2011)
institution	DOAJ
collection	DOAJ
language	ES PT
topic	parricide spectacle performance evil hyperreality mario sabino French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999
spellingShingle	parricide spectacle performance evil hyperreality mario sabino French literature - Italian literature - Spanish literature - Portuguese literature PQ1-3999 Aileen El-Kadi O parricídio como espetáculo da violência: O dia em que matei meu pai
description	The first person narrative voice in the novel by Mario Sabino, O dia em que matei meu pai, builds an universe composed of two coordinates, one follows the logic of subjective pleasure/perversion where the characters show social pathology des- cribed by the narrator as a result of a context governed by psychological violence and amorality, and where the dynamics is always erotic, the other component is spectacular as the axis from which the characters seem to represent roles built based on stereotypes that arise from mass culture. The father’s murder by the protagonist and the way he confesses the crime at the beginning of the novel com- bine the two core values we find in the author’s aesthetic proposed: the amount of violence and spectacle for the representation of contemporary society.
format	article
author	Aileen El-Kadi
author_facet	Aileen El-Kadi
author_sort	Aileen El-Kadi
title	O parricídio como espetáculo da violência: O dia em que matei meu pai
title_short	O parricídio como espetáculo da violência: O dia em que matei meu pai
title_full	O parricídio como espetáculo da violência: O dia em que matei meu pai
title_fullStr	O parricídio como espetáculo da violência: O dia em que matei meu pai
title_full_unstemmed	O parricídio como espetáculo da violência: O dia em que matei meu pai
title_sort	o parricídio como espetáculo da violência: o dia em que matei meu pai
publisher	Universidade de Brasília
publishDate	2011
url	https://doaj.org/article/27c12a83b3cc4f809f94baab1f9445fc
work_keys_str_mv	AT aileenelkadi oparricidiocomoespetaculodaviolenciaodiaemquemateimeupai
_version_	1718433229574242304

O parricídio como espetáculo da violência: O dia em que matei meu pai

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