Transforming the Ich-Du to the Ich-Es: The Migrant as “Terrorist” in Kabir Khan’s New York and Kamila Shamsie’s Home Fire
Terror narratives have been characterized by a dialogism where the “normative” I—i.e. the “non-threatening mainstream”—defines and delineates subjects whose identity is centred on their (actual or presumed) location in the terror network. This is especially so in the case of Asian migrants who settl...
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| Format: | article |
| Language: | EN |
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Lodz University Press
2021
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| Online Access: | https://doaj.org/article/28263d0ff11543d2b3f794bf616060fc |
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