Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)

After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circu...

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Autor principal: Josnei Di Carlo
Formato: article
Lenguaje:PT
Publicado: Universidade do Vale do Rio dos Sinos (UNISINOS) 2019
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Acceso en línea:https://doaj.org/article/2849c1ee871145c19e4182646e23bad4
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spelling oai:doaj.org-article:2849c1ee871145c19e4182646e23bad42021-11-11T15:42:02ZVicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)2177-622910.4013/csu.2019.55.2.12https://doaj.org/article/2849c1ee871145c19e4182646e23bad42019-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93864117012https://doaj.org/toc/2177-6229After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circulated to a broad audience, unaccustomed to the subtleties of the arts. Unlike their cultural columns, the policies columns were seasonal, dictated by the moments of social effervescence. Gathering yours columns between 1945 and 1968, we note the seasonality of its political intervention. However, there were conditions for this to occur.Josnei Di CarloUniversidade do Vale do Rio dos Sinos (UNISINOS)articlepresspublic intellectualmario pedrosaSocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 55, Iss 2, Pp 265-275 (2019)
institution DOAJ
collection DOAJ
language PT
topic press
public intellectual
mario pedrosa
Social Sciences
H
Social sciences (General)
H1-99
spellingShingle press
public intellectual
mario pedrosa
Social Sciences
H
Social sciences (General)
H1-99
Josnei Di Carlo
Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
description After returning from exile in 1945, Mario Pedrosa (1900-1981) became a specialist in modern art. Concomitantly with his professionalization as an art critic, he became a public intellectual, because of political intervention in the disputes through the big press. With this, his political ideas circulated to a broad audience, unaccustomed to the subtleties of the arts. Unlike their cultural columns, the policies columns were seasonal, dictated by the moments of social effervescence. Gathering yours columns between 1945 and 1968, we note the seasonality of its political intervention. However, there were conditions for this to occur.
format article
author Josnei Di Carlo
author_facet Josnei Di Carlo
author_sort Josnei Di Carlo
title Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
title_short Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
title_full Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
title_fullStr Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
title_full_unstemmed Vicissitudes do intelectual público: um estudo de caso sobre Mário Pedrosa (1944-1968)
title_sort vicissitudes do intelectual público: um estudo de caso sobre mário pedrosa (1944-1968)
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
publishDate 2019
url https://doaj.org/article/2849c1ee871145c19e4182646e23bad4
work_keys_str_mv AT josneidicarlo vicissitudesdointelectualpublicoumestudodecasosobremariopedrosa19441968
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