Sculpture et datation, le renouveau d’un enjeu

Based on the corpus of fourth-tenth century architecture, the corpus for sculpture of the same period in France that is being prepared includes in its fields the various arguments necessary for the dating of sculpted elements. A combination of archaeology and art history, the dating of sculptures in...

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Autor principal: Christian Sapin
Formato: article
Lenguaje:FR
Publicado: École du Louvre 2021
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Acceso en línea:https://doaj.org/article/286786e0557f4b48a82383df82c5a22f
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spelling oai:doaj.org-article:286786e0557f4b48a82383df82c5a22f2021-12-02T11:31:58ZSculpture et datation, le renouveau d’un enjeu2262-208X10.4000/cel.18687https://doaj.org/article/286786e0557f4b48a82383df82c5a22f2021-11-01T00:00:00Zhttp://journals.openedition.org/cel/18687https://doaj.org/toc/2262-208XBased on the corpus of fourth-tenth century architecture, the corpus for sculpture of the same period in France that is being prepared includes in its fields the various arguments necessary for the dating of sculpted elements. A combination of archaeology and art history, the dating of sculptures in earlier works was often assessed based on a single criterion, such as historical sources from the site of provenance, or formal or morphological comparisons. The estimation of the age of the capitals at Jouarre, the baptistery of Poitiers and Saint-Laurent de Grenoble was largely based on historical sources. How has this changed, now that archaeology has been able to assess these sites? How can we understand the contemporaneity of Carolingian decoration given the reused elements, replicas and new works, as at Saint-Germain d’Auxerre? It was long thought that the revival of Romanesque sculpture took place after the year 1000. Has the recent study of the frames of numerous buildings from this period been a guarantee of more precise dating through archaeometry or, on the contrary, a calling into question? What about works outside the context of known or studied monuments? All these questions are presented with examples and, we hope, the database of the proposed corpus will provide answers to them through the interaction of crossed criteria.Christian SapinÉcole du LouvrearticleEarly Middle AgesCarolingianRomanesquecapitaldatingFine ArtsNAnthropologyGN1-890ArchaeologyCC1-960FRLes Cahiers de l'École du Louvre, Vol 17 (2021)
institution DOAJ
collection DOAJ
language FR
topic Early Middle Ages
Carolingian
Romanesque
capital
dating
Fine Arts
N
Anthropology
GN1-890
Archaeology
CC1-960
spellingShingle Early Middle Ages
Carolingian
Romanesque
capital
dating
Fine Arts
N
Anthropology
GN1-890
Archaeology
CC1-960
Christian Sapin
Sculpture et datation, le renouveau d’un enjeu
description Based on the corpus of fourth-tenth century architecture, the corpus for sculpture of the same period in France that is being prepared includes in its fields the various arguments necessary for the dating of sculpted elements. A combination of archaeology and art history, the dating of sculptures in earlier works was often assessed based on a single criterion, such as historical sources from the site of provenance, or formal or morphological comparisons. The estimation of the age of the capitals at Jouarre, the baptistery of Poitiers and Saint-Laurent de Grenoble was largely based on historical sources. How has this changed, now that archaeology has been able to assess these sites? How can we understand the contemporaneity of Carolingian decoration given the reused elements, replicas and new works, as at Saint-Germain d’Auxerre? It was long thought that the revival of Romanesque sculpture took place after the year 1000. Has the recent study of the frames of numerous buildings from this period been a guarantee of more precise dating through archaeometry or, on the contrary, a calling into question? What about works outside the context of known or studied monuments? All these questions are presented with examples and, we hope, the database of the proposed corpus will provide answers to them through the interaction of crossed criteria.
format article
author Christian Sapin
author_facet Christian Sapin
author_sort Christian Sapin
title Sculpture et datation, le renouveau d’un enjeu
title_short Sculpture et datation, le renouveau d’un enjeu
title_full Sculpture et datation, le renouveau d’un enjeu
title_fullStr Sculpture et datation, le renouveau d’un enjeu
title_full_unstemmed Sculpture et datation, le renouveau d’un enjeu
title_sort sculpture et datation, le renouveau d’un enjeu
publisher École du Louvre
publishDate 2021
url https://doaj.org/article/286786e0557f4b48a82383df82c5a22f
work_keys_str_mv AT christiansapin sculptureetdatationlerenouveaudunenjeu
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