Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)

The author analyzes the topical in modern literary criticism issue of classical plots migration in modern French literature of the 21st century. Results of a comparative analysis of the principles and techniques of the plot construction of the tale by Charles Perrault “Blue Beard” (1697) and of the...

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Autores principales: T. V. Nuzhnaya, K. V. Kovalchuk
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2019
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spelling oai:doaj.org-article:2ace97feb4c64773a8e05bacc8d313ea2021-12-02T07:58:06ZMigration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)2225-756X2227-129510.24224/2227-1295-2019-2-116-126https://doaj.org/article/2ace97feb4c64773a8e05bacc8d313ea2019-02-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1079https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The author analyzes the topical in modern literary criticism issue of classical plots migration in modern French literature of the 21st century. Results of a comparative analysis of the principles and techniques of the plot construction of the tale by Charles Perrault “Blue Beard” (1697) and of the novel by Amélie Nothomb “Blue Beard” (2012) are presented. It is shown that classical works become part of the development of modern literature, fit into the context of everyday life of our time and correspond to the poetics of the new text. Analysis of the composition and the figurative system of Amélie Nothomb’s novel allows to identify its main differences from the fairy tale by Charles Perrault, linked with the radical change of the genre of the narrative. French writer significantly expands the storyline, while maintaining the canvas of the original fairy tale. It is noted that the focusing on adventure, saturation with unusual turns in the development of events and mystical denouement allow to conclude that the investigated novel belongs to the genre of “middle literature.” The authors of the article prove that remakes of classical plots in the literature of the 21st century not only do not detract from the dignity of new genre forms of narration, but also reflect the specifics of the modern context within the continuity of literary traditions.T. V. NuzhnayaK. V. KovalchukTsentr nauchnykh i obrazovatelnykh proektovarticlemodern french literaturegenre of fairy taleplot migrationcharles perraultamélie nothombSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 2, Pp 116-126 (2019)
institution DOAJ
collection DOAJ
language RU
topic modern french literature
genre of fairy tale
plot migration
charles perrault
amélie nothomb
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle modern french literature
genre of fairy tale
plot migration
charles perrault
amélie nothomb
Slavic languages. Baltic languages. Albanian languages
PG1-9665
T. V. Nuzhnaya
K. V. Kovalchuk
Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
description The author analyzes the topical in modern literary criticism issue of classical plots migration in modern French literature of the 21st century. Results of a comparative analysis of the principles and techniques of the plot construction of the tale by Charles Perrault “Blue Beard” (1697) and of the novel by Amélie Nothomb “Blue Beard” (2012) are presented. It is shown that classical works become part of the development of modern literature, fit into the context of everyday life of our time and correspond to the poetics of the new text. Analysis of the composition and the figurative system of Amélie Nothomb’s novel allows to identify its main differences from the fairy tale by Charles Perrault, linked with the radical change of the genre of the narrative. French writer significantly expands the storyline, while maintaining the canvas of the original fairy tale. It is noted that the focusing on adventure, saturation with unusual turns in the development of events and mystical denouement allow to conclude that the investigated novel belongs to the genre of “middle literature.” The authors of the article prove that remakes of classical plots in the literature of the 21st century not only do not detract from the dignity of new genre forms of narration, but also reflect the specifics of the modern context within the continuity of literary traditions.
format article
author T. V. Nuzhnaya
K. V. Kovalchuk
author_facet T. V. Nuzhnaya
K. V. Kovalchuk
author_sort T. V. Nuzhnaya
title Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
title_short Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
title_full Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
title_fullStr Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
title_full_unstemmed Migration of Classic Plot (Ch. Perrault’s “The Blue Beard”) in Modern French Literature of 21<sup>st</sup> Century (A. Nothomb’s “The Blue Beard”)
title_sort migration of classic plot (ch. perrault’s “the blue beard”) in modern french literature of 21<sup>st</sup> century (a. nothomb’s “the blue beard”)
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2019
url https://doaj.org/article/2ace97feb4c64773a8e05bacc8d313ea
work_keys_str_mv AT tvnuzhnaya migrationofclassicplotchperraultsthebluebeardinmodernfrenchliteratureof21supstsupcenturyanothombsthebluebeard
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