MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS

Turkish Poliphonic Music has a history of at least 150 years from now. Jannisery Mehter was nearly 100 percent replaced by the Western Band by mid 19'th Century a tendency called westernization process which was higlighted by the decleration of Tanzimat(regulations) in 1839 accomponied by some...

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Autor principal:	Mustafa Eren ARIN
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	makam music westernization turkish polyphonic music national identity cultural representation Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/2b56c0890e964789bb33ff0fa4aa0d3e
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id	oai:doaj.org-article:2b56c0890e964789bb33ff0fa4aa0d3e
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spelling	oai:doaj.org-article:2b56c0890e964789bb33ff0fa4aa0d3e2021-11-24T09:20:37ZMAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS2148-416310.9761/JASSS7988https://doaj.org/article/2b56c0890e964789bb33ff0fa4aa0d3e2019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=185379222_19-Dr.%20Mustafa%20Eren%20Ar%C4%B1n.pdf&key=29058https://doaj.org/toc/2148-4163Turkish Poliphonic Music has a history of at least 150 years from now. Jannisery Mehter was nearly 100 percent replaced by the Western Band by mid 19'th Century a tendency called westernization process which was higlighted by the decleration of Tanzimat(regulations) in 1839 accomponied by some radical changes in social/political life in Ottoman Empire. Through the period of social/political changes that continued for last decades of Ottoman Empire which eventually lead to the establishment of Turkish Republic in 1923, the Poliphonic Music and its genres were quickly beacame the signs of artistic expression marking the change from Feodal Community to Burgoise Society replacing the old values with the new ones. Till than the artistic task of Polyphonic music composing here in Turkey mainly have been to create new forms of Modern music displaying cultural idioms. In this document, I will try to examine technically the scores of some Modern and Contemporary Turkish Composers which ı’ll chose from various periods of Turkısh Polyphonic Music. By doing this I will try to generalize some common methods frequently used by the Turkısh composers to display Makam features in their music and question their relevance to makam tradition as means of compositional representation.Mustafa Eren ARINFırat Universityarticlemakam musicwesternizationturkish polyphonic musicnational identitycultural representationSocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 12, Iss 77, Pp 271-287 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	makam music westernization turkish polyphonic music national identity cultural representation Social Sciences H Social sciences (General) H1-99
spellingShingle	makam music westernization turkish polyphonic music national identity cultural representation Social Sciences H Social sciences (General) H1-99 Mustafa Eren ARIN MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
description	Turkish Poliphonic Music has a history of at least 150 years from now. Jannisery Mehter was nearly 100 percent replaced by the Western Band by mid 19'th Century a tendency called westernization process which was higlighted by the decleration of Tanzimat(regulations) in 1839 accomponied by some radical changes in social/political life in Ottoman Empire. Through the period of social/political changes that continued for last decades of Ottoman Empire which eventually lead to the establishment of Turkish Republic in 1923, the Poliphonic Music and its genres were quickly beacame the signs of artistic expression marking the change from Feodal Community to Burgoise Society replacing the old values with the new ones. Till than the artistic task of Polyphonic music composing here in Turkey mainly have been to create new forms of Modern music displaying cultural idioms. In this document, I will try to examine technically the scores of some Modern and Contemporary Turkish Composers which ı’ll chose from various periods of Turkısh Polyphonic Music. By doing this I will try to generalize some common methods frequently used by the Turkısh composers to display Makam features in their music and question their relevance to makam tradition as means of compositional representation.
format	article
author	Mustafa Eren ARIN
author_facet	Mustafa Eren ARIN
author_sort	Mustafa Eren ARIN
title	MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
title_short	MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
title_full	MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
title_fullStr	MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
title_full_unstemmed	MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS
title_sort	makam in the works of turkish polyphonic music composers a study of four examples from four composers
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/2b56c0890e964789bb33ff0fa4aa0d3e
work_keys_str_mv	AT mustafaerenarin makamintheworksofturkishpolyphonicmusiccomposersastudyoffourexamplesfromfourcomposers
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MAKAM IN THE WORKS OF TURKISH POLYPHONIC MUSIC COMPOSERS A STUDY OF FOUR EXAMPLES FROM FOUR COMPOSERS

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