Viking Jewellery Mould Making. Experimental and Reconstructive Aspects

Craftsmanship relies upon the silent knowledge of the skilled experience of the creative workings of the hands, a knowledge that is difficult to convert to written characters without creating a blur of words that make very little sense. Theoretical reasoning lacks the dialogue with, and the resistan...

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Autor principal:	Anders Söderberg
Formato:	article
Lenguaje:	EN
Publicado:	EXARC 2018
Materias:	casting jewellery metal viking age sweden Museums. Collectors and collecting AM1-501 Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/2be6e67eb7c941dbaa6a4760d0ca3eba
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spelling	oai:doaj.org-article:2be6e67eb7c941dbaa6a4760d0ca3eba2021-12-01T14:42:33ZViking Jewellery Mould Making. Experimental and Reconstructive Aspects2212-8956https://doaj.org/article/2be6e67eb7c941dbaa6a4760d0ca3eba2018-11-01T00:00:00Zhttps://exarc.net/ark:/88735/10374https://doaj.org/toc/2212-8956Craftsmanship relies upon the silent knowledge of the skilled experience of the creative workings of the hands, a knowledge that is difficult to convert to written characters without creating a blur of words that make very little sense. Theoretical reasoning lacks the dialogue with, and the resistance from, the raw material. Making up a picture of how wax, clay and metal would behave without practical experience of them is next to impossible. You must work with the material directly to get proper answers. After nearly 600 recorded castings with reconstructed early medieval casting technology behind me, and just as many unrecorded, I may perhaps consider myself a craftsman almost as much as I am an archaeologist, and I would like to share a little of what I have learned from these experiences.Anders SöderbergEXARCarticlecastingjewellerymetalviking ageswedenMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2018/4 (2018)
institution	DOAJ
collection	DOAJ
language	EN
topic	casting jewellery metal viking age sweden Museums. Collectors and collecting AM1-501 Archaeology CC1-960
spellingShingle	casting jewellery metal viking age sweden Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Anders Söderberg Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
description	Craftsmanship relies upon the silent knowledge of the skilled experience of the creative workings of the hands, a knowledge that is difficult to convert to written characters without creating a blur of words that make very little sense. Theoretical reasoning lacks the dialogue with, and the resistance from, the raw material. Making up a picture of how wax, clay and metal would behave without practical experience of them is next to impossible. You must work with the material directly to get proper answers. After nearly 600 recorded castings with reconstructed early medieval casting technology behind me, and just as many unrecorded, I may perhaps consider myself a craftsman almost as much as I am an archaeologist, and I would like to share a little of what I have learned from these experiences.
format	article
author	Anders Söderberg
author_facet	Anders Söderberg
author_sort	Anders Söderberg
title	Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
title_short	Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
title_full	Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
title_fullStr	Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
title_full_unstemmed	Viking Jewellery Mould Making. Experimental and Reconstructive Aspects
title_sort	viking jewellery mould making. experimental and reconstructive aspects
publisher	EXARC
publishDate	2018
url	https://doaj.org/article/2be6e67eb7c941dbaa6a4760d0ca3eba
work_keys_str_mv	AT anderssoderberg vikingjewellerymouldmakingexperimentalandreconstructiveaspects
_version_	1718404920199086080

Viking Jewellery Mould Making. Experimental and Reconstructive Aspects

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