Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization

The article is devoted to the transformation of the Yakut heroic epos. The relevance of the work is due to large changes in the epos creation of Yakut storytellers and insufficient study of this process in Yakut folklore. The novelty of the study is that for the first time the problem of olonkho tra...

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Autor principal: A. A. Kuzmina
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2019
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Acceso en línea:https://doaj.org/article/2c7c973543d84ce8ab6de82bc09c9fc8
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spelling oai:doaj.org-article:2c7c973543d84ce8ab6de82bc09c9fc82021-12-02T07:58:08ZTransformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization2225-756X2227-129510.24224/2227-1295-2019-10-280-294https://doaj.org/article/2c7c973543d84ce8ab6de82bc09c9fc82019-10-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1340https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to the transformation of the Yakut heroic epos. The relevance of the work is due to large changes in the epos creation of Yakut storytellers and insufficient study of this process in Yakut folklore. The novelty of the study is that for the first time the problem of olonkho transformation is specifically studied. Various changes in the epos in the genre, pragmatic, conceptual, ideological and other aspects are considered. Of particular note is the transition from the oral epos to the written form of being. It is established that the appearance of copyright works based on olonkho creates confusion in the definition of the genre, as a result of which various falsifications appear. The characteristic of the transformation of the concept of “olonkhosut” (narrator) is given. An author’s periodization of olonkho transformations is proposed, which consists of three stages: pre-revolutionary, Soviet and post-Soviet (modern). It is noted that each period has its own characteristics. The author of the article reveals some features of stage productions when traditional images and motives of olonkho are distorted to suit modern viewers' requirements. Summing it up, the author concludes that the transformation of the epos creates a great danger that can destroy the olonkho genre in Yakut folklore and change the idea of it in modern people.A. A. KuzminaTsentr nauchnykh i obrazovatelnykh proektovarticleyakut heroic eposolonkhofolkloretransformationformulation of the problemsystematizationperiodizationcopyright olonkhofalsificationolonkhosutSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 10, Pp 280-294 (2019)
institution DOAJ
collection DOAJ
language RU
topic yakut heroic epos
olonkho
folklore
transformation
formulation of the problem
systematization
periodization
copyright olonkho
falsification
olonkhosut
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle yakut heroic epos
olonkho
folklore
transformation
formulation of the problem
systematization
periodization
copyright olonkho
falsification
olonkhosut
Slavic languages. Baltic languages. Albanian languages
PG1-9665
A. A. Kuzmina
Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
description The article is devoted to the transformation of the Yakut heroic epos. The relevance of the work is due to large changes in the epos creation of Yakut storytellers and insufficient study of this process in Yakut folklore. The novelty of the study is that for the first time the problem of olonkho transformation is specifically studied. Various changes in the epos in the genre, pragmatic, conceptual, ideological and other aspects are considered. Of particular note is the transition from the oral epos to the written form of being. It is established that the appearance of copyright works based on olonkho creates confusion in the definition of the genre, as a result of which various falsifications appear. The characteristic of the transformation of the concept of “olonkhosut” (narrator) is given. An author’s periodization of olonkho transformations is proposed, which consists of three stages: pre-revolutionary, Soviet and post-Soviet (modern). It is noted that each period has its own characteristics. The author of the article reveals some features of stage productions when traditional images and motives of olonkho are distorted to suit modern viewers' requirements. Summing it up, the author concludes that the transformation of the epos creates a great danger that can destroy the olonkho genre in Yakut folklore and change the idea of it in modern people.
format article
author A. A. Kuzmina
author_facet A. A. Kuzmina
author_sort A. A. Kuzmina
title Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
title_short Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
title_full Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
title_fullStr Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
title_full_unstemmed Transformation of the Yakut Heroic Epos Olonkho: Statement of the Problem, Systematization and Periodization
title_sort transformation of the yakut heroic epos olonkho: statement of the problem, systematization and periodization
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2019
url https://doaj.org/article/2c7c973543d84ce8ab6de82bc09c9fc8
work_keys_str_mv AT aakuzmina transformationoftheyakutheroiceposolonkhostatementoftheproblemsystematizationandperiodization
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