Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'

In this paper, we have analyzed the manifestations of poetic self-consciousness in the poetry of Stevan Raičković in the poem cycle Razgovor sa ilovačom and in the poem from the poetry collection Verses, Iz mraka te, pesmo, zovem, iz ničega. By semantically shaping the motif of the loam, the poetic...

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Autor principal:	Marinkov Jelena I.
Formato:	article
Lenguaje:	EN SR
Publicado:	Faculty of Philosophy, Kosovska Mitrovica 2021
Materias:	stevan raičković razgovor sa ilovačom iz mraka te, pesmo, zovem, iz ničega loam motif poetic self-consciousness autopoiesis History of scholarship and learning. The humanities AZ20-999
Acceso en línea:	https://doaj.org/article/2d82233c982d482f8532b254ac542e62
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spelling	oai:doaj.org-article:2d82233c982d482f8532b254ac542e622021-12-05T21:40:06ZAutopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'0354-32932217-808210.5937/ZRFFP51-29713https://doaj.org/article/2d82233c982d482f8532b254ac542e622021-01-01T00:00:00Zhttps://scindeks-clanci.ceon.rs/data/pdf/0354-3293/2021/0354-32932102037M.pdfhttps://doaj.org/toc/0354-3293https://doaj.org/toc/2217-8082In this paper, we have analyzed the manifestations of poetic self-consciousness in the poetry of Stevan Raičković in the poem cycle Razgovor sa ilovačom and in the poem from the poetry collection Verses, Iz mraka te, pesmo, zovem, iz ničega. By semantically shaping the motif of the loam, the poetic complementarity between the poem and the cycle was established-the ideal of the poem as sculpture and the meta-lyrical reflection of the poet, evoked by observing the transformation of his own character into a bust. The poem Iz mraka te, pesmo, zovem, iz ničega evokes a symbolic attempt to sculpt the poem, based on visual imagination. Explicit autopoiesis is manifested in this poem-the poetic self-consciousness tries to view the poetic text as a matter that can be manually shaped, and in the end reaches a conclusion about the incompatibility of the means of expression and the assumed result. In the cycle Razgovor sa ilovačom, the means by which the poem is supposed to be materialized also appears to be incompatible with poetic contents, and lyrical subject expresses doubts about the constitutive power of language. The discrepancy between the stativity of the sculpture and the dynamism of the inner life, however, causes a return to words. Self-referentiality in the cycle Razgovor sa ilovačom indicates the implicit autopoiesis manifested in the treatment of the relationship between life and art and the problematization of equivalence between nature and poetry: because the poet tries to fix phenomena from life in the poem, just like the sculptor, he moves away from the dynamism of life. Interpreting the way in which the motif of the loam is shaped in relation to the theme of poetry, demonstrates the development of poetic self-awareness and doubts about the possibility of writing an authentic poem.Marinkov Jelena I.Faculty of Philosophy, Kosovska Mitrovicaarticlestevan raičkovićrazgovor sa ilovačomiz mraka te, pesmo, zovem, iz ničegaloam motifpoetic self-consciousnessautopoiesisHistory of scholarship and learning. The humanitiesAZ20-999ENSRZbornik Radova Filozofskog Fakulteta u Prištini, Vol 51, Iss 2, Pp 37-54 (2021)
institution	DOAJ
collection	DOAJ
language	EN SR
topic	stevan raičković razgovor sa ilovačom iz mraka te, pesmo, zovem, iz ničega loam motif poetic self-consciousness autopoiesis History of scholarship and learning. The humanities AZ20-999
spellingShingle	stevan raičković razgovor sa ilovačom iz mraka te, pesmo, zovem, iz ničega loam motif poetic self-consciousness autopoiesis History of scholarship and learning. The humanities AZ20-999 Marinkov Jelena I. Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
description	In this paper, we have analyzed the manifestations of poetic self-consciousness in the poetry of Stevan Raičković in the poem cycle Razgovor sa ilovačom and in the poem from the poetry collection Verses, Iz mraka te, pesmo, zovem, iz ničega. By semantically shaping the motif of the loam, the poetic complementarity between the poem and the cycle was established-the ideal of the poem as sculpture and the meta-lyrical reflection of the poet, evoked by observing the transformation of his own character into a bust. The poem Iz mraka te, pesmo, zovem, iz ničega evokes a symbolic attempt to sculpt the poem, based on visual imagination. Explicit autopoiesis is manifested in this poem-the poetic self-consciousness tries to view the poetic text as a matter that can be manually shaped, and in the end reaches a conclusion about the incompatibility of the means of expression and the assumed result. In the cycle Razgovor sa ilovačom, the means by which the poem is supposed to be materialized also appears to be incompatible with poetic contents, and lyrical subject expresses doubts about the constitutive power of language. The discrepancy between the stativity of the sculpture and the dynamism of the inner life, however, causes a return to words. Self-referentiality in the cycle Razgovor sa ilovačom indicates the implicit autopoiesis manifested in the treatment of the relationship between life and art and the problematization of equivalence between nature and poetry: because the poet tries to fix phenomena from life in the poem, just like the sculptor, he moves away from the dynamism of life. Interpreting the way in which the motif of the loam is shaped in relation to the theme of poetry, demonstrates the development of poetic self-awareness and doubts about the possibility of writing an authentic poem.
format	article
author	Marinkov Jelena I.
author_facet	Marinkov Jelena I.
author_sort	Marinkov Jelena I.
title	Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
title_short	Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
title_full	Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
title_fullStr	Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
title_full_unstemmed	Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'
title_sort	autopoetic sculpting of stevan raičković: poetic self-consciousness in the poem cycle 'razgovor sa ilovačom' and the poem 'iz mraka te, pesmo, zovem, iz ničega'
publisher	Faculty of Philosophy, Kosovska Mitrovica
publishDate	2021
url	https://doaj.org/article/2d82233c982d482f8532b254ac542e62
work_keys_str_mv	AT marinkovjelenai autopoeticsculptingofstevanraickovicpoeticselfconsciousnessinthepoemcyclerazgovorsailovacomandthepoemizmrakatepesmozovemiznicega
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Autopoetic sculpting of Stevan Raičković: Poetic self-consciousness in the poem cycle 'Razgovor sa ilovačom' and the poem 'Iz mraka te, pesmo, zovem, iz ničega'

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