Misunderstanding in the Interpretation of the Poem "Cinta Kepayang" in Gandrung by A. Mustofa Bisri
This research aimed to reveal misunderstanding in the interpretation of the poem “<em>Cinta Kepayang</em>” in the poetry book <em>Gandrung </em>by A. Mustofa Bisri. The characteristic of A. Mustofa Bisri poems in <em>Gandrung </em>is that his poems are very rich i...
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| Formato: | article |
| Lenguaje: | EN ID |
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Universitas Ahmad Dahlan
2021
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| Acceso en línea: | https://doaj.org/article/2e64a34f58ba4cc6b015c38c44b50d1c |
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| Sumario: | This research aimed to reveal misunderstanding in the interpretation of the poem “<em>Cinta Kepayang</em>” in the poetry book <em>Gandrung </em>by A. Mustofa Bisri. The characteristic of A. Mustofa Bisri poems in <em>Gandrung </em>is that his poems are very rich in symbols related to the thought of Islamic mysticism (Sufism). The mind is a blend of mystical experience and aesthetic experience. This study uses a qualitative approach to interpretate the poem “<em>Cinta Kepayang</em>”. It is library research by collecting primary and secondary data related to <em>Gandrung </em>by A. Mustofa Bisri. The results revealed that the interpretation of “<em>Love</em>” (Cinta) was represented in two styles; <em>first, </em>positioning the symbolic image of women as the presence of divine beauty, <em>second</em>, positioning the symbolic image of women as the most perfect expression of divine love fusion. |
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