La recepción del Greco desde las artes contemporáneas (siglos XX y XXI)
This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atem...
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Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne
2021
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oai:doaj.org-article:2e9244f0e0a340fda174401522619b822021-12-02T09:52:58ZLa recepción del Greco desde las artes contemporáneas (siglos XX y XXI)1951-616910.4000/e-spania.41665https://doaj.org/article/2e9244f0e0a340fda174401522619b822021-10-01T00:00:00Zhttp://journals.openedition.org/e-spania/41665https://doaj.org/toc/1951-6169This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries).Emmanuel MarignoCivilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris SorbonnearticleGrecocontemporary artsHistory (General) and history of EuropeDHistory of SpainDP1-402ESFRLAPTE-Spania, Vol 40 (2021) |
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ES FR LA PT |
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Greco contemporary arts History (General) and history of Europe D History of Spain DP1-402 |
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Greco contemporary arts History (General) and history of Europe D History of Spain DP1-402 Emmanuel Marigno La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
description |
This article analyses various aspects of Greco’s painting, with the aim of demonstrating some aspects of the modernity of the work of the Toledo Master. It is first of all an intrinsic approach that is adopted, with the highlighting of various plastic characteristics that tend towards a form of atemporality in Greco’s painting. In a second phase, and through an extrinsic reading, it is necessary to appreciate the various modalities of this permanence of Greco’s painting in contemporary creation (installation, painting, video, etc. of the twentieth and twenty-first centuries). |
format |
article |
author |
Emmanuel Marigno |
author_facet |
Emmanuel Marigno |
author_sort |
Emmanuel Marigno |
title |
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_short |
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_full |
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_fullStr |
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_full_unstemmed |
La recepción del Greco desde las artes contemporáneas (siglos XX y XXI) |
title_sort |
la recepción del greco desde las artes contemporáneas (siglos xx y xxi) |
publisher |
Civilisations et Littératures d’Espagne et d’Amérique du Moyen Âge aux Lumières (CLEA) - Paris Sorbonne |
publishDate |
2021 |
url |
https://doaj.org/article/2e9244f0e0a340fda174401522619b82 |
work_keys_str_mv |
AT emmanuelmarigno larecepciondelgrecodesdelasartescontemporaneassiglosxxyxxi |
_version_ |
1718397936034906112 |