Russian Wedding Songs of Udmurt Republic: Kinetic Aspect

The article is devoted to peculiarities of the kinetic aspect of the performance of wedding songs. Based on Russian song folklore of southern and central districts of the Udmurt Republic, the author identified the ritual significance of movements that accompany the performance of wedding songs. The...

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Autor principal: S. V. Tolkachova
Formato: article
Lenguaje:RU
Publicado: Tsentr nauchnykh i obrazovatelnykh proektov 2017
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Acceso en línea:https://doaj.org/article/2f062227d4ac469e810c8df0a71f8daf
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spelling oai:doaj.org-article:2f062227d4ac469e810c8df0a71f8daf2021-12-02T07:58:02ZRussian Wedding Songs of Udmurt Republic: Kinetic Aspect2225-756X2227-129510.24224/2227-1295-2017-11-285-297https://doaj.org/article/2f062227d4ac469e810c8df0a71f8daf2017-11-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/575https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article is devoted to peculiarities of the kinetic aspect of the performance of wedding songs. Based on Russian song folklore of southern and central districts of the Udmurt Republic, the author identified the ritual significance of movements that accompany the performance of wedding songs. The dialectal names for wedding songs are given. Summarized data on types of movements typical for different genres of wedding musical folklore. It is concluded that they are determined by the ethnographic context. The fact of perception by the informants of description of the action from the song text as the reality of the wedding ceremony is discovered. The examples of polyphonic layers of genres of wedding song folklore are demonstrated. The author shows that verbal, acoustic, musical, kinetic codes of ritual can have a different meaning in the performance of a number of wedding songs. It is noted that the kinetics of the performance of wedding songs has brightly expressed game nature. Verbal and kinetic parallels in the Russian wedding and calendar folk songs of the Udmurt Republic are analyzed. The author comes to the conclusion that the combination of duplicating codes in the wedding ritual - kinetic, verbal, musical and other - have reinforced the sacred significance of the wedding ceremony. Semantic polyphony of codes of ritual gave the episodes of the wedding ceremony totality and one-time interaction between “this” and “other” worlds.S. V. TolkachovaTsentr nauchnykh i obrazovatelnykh proektovarticlerussian folklore of udmurtiakinetic codesongs with movementwedding songsSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 11, Pp 285-297 (2017)
institution DOAJ
collection DOAJ
language RU
topic russian folklore of udmurtia
kinetic code
songs with movement
wedding songs
Slavic languages. Baltic languages. Albanian languages
PG1-9665
spellingShingle russian folklore of udmurtia
kinetic code
songs with movement
wedding songs
Slavic languages. Baltic languages. Albanian languages
PG1-9665
S. V. Tolkachova
Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
description The article is devoted to peculiarities of the kinetic aspect of the performance of wedding songs. Based on Russian song folklore of southern and central districts of the Udmurt Republic, the author identified the ritual significance of movements that accompany the performance of wedding songs. The dialectal names for wedding songs are given. Summarized data on types of movements typical for different genres of wedding musical folklore. It is concluded that they are determined by the ethnographic context. The fact of perception by the informants of description of the action from the song text as the reality of the wedding ceremony is discovered. The examples of polyphonic layers of genres of wedding song folklore are demonstrated. The author shows that verbal, acoustic, musical, kinetic codes of ritual can have a different meaning in the performance of a number of wedding songs. It is noted that the kinetics of the performance of wedding songs has brightly expressed game nature. Verbal and kinetic parallels in the Russian wedding and calendar folk songs of the Udmurt Republic are analyzed. The author comes to the conclusion that the combination of duplicating codes in the wedding ritual - kinetic, verbal, musical and other - have reinforced the sacred significance of the wedding ceremony. Semantic polyphony of codes of ritual gave the episodes of the wedding ceremony totality and one-time interaction between “this” and “other” worlds.
format article
author S. V. Tolkachova
author_facet S. V. Tolkachova
author_sort S. V. Tolkachova
title Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
title_short Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
title_full Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
title_fullStr Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
title_full_unstemmed Russian Wedding Songs of Udmurt Republic: Kinetic Aspect
title_sort russian wedding songs of udmurt republic: kinetic aspect
publisher Tsentr nauchnykh i obrazovatelnykh proektov
publishDate 2017
url https://doaj.org/article/2f062227d4ac469e810c8df0a71f8daf
work_keys_str_mv AT svtolkachova russianweddingsongsofudmurtrepublickineticaspect
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