Sensationalism and Supersensibility: Eighteenth-Century Literary Terror Divided
Schiller and Lewis present a polarity dividing Coleridge’s judgement of literary terror: Schiller, the unparalled artist of sublime terror, and Lewis, the most objectionable of gothic writers. Although Coleridge’s responses are in many ways linked to his own unique concerns, they also reflect the di...
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| Formato: | article |
| Lenguaje: | EN |
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University of Edinburgh
2006
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| Acceso en línea: | https://doaj.org/article/305af3fbf2494d49bb169f147202debe |
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