STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS

This article is the result of a study about a physical cultural legacy that is also an artistic product left over from the heydayof the Islamic dynasty from the 17th to the 19th century. For this reason, there are two artistic aspects that need to be observedclosely in the analysis of the form, func...

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Autor principal:	Meisar Ashari
Formato:	article
Lenguaje:	ID
Publicado:	Institut Seni Indonesia Surakarta 2016
Materias:	Fine Arts N
Acceso en línea:	https://doaj.org/article/35949d07cda9453bba3d0759acdbd7b3
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spelling	oai:doaj.org-article:35949d07cda9453bba3d0759acdbd7b32021-11-26T03:25:51ZSTUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS1412-41812685-287X10.33153/dewaruci.v8i3.1135https://doaj.org/article/35949d07cda9453bba3d0759acdbd7b32016-02-01T00:00:00Zhttps://jurnal.isi-ska.ac.id/index.php/dewaruci/article/view/1135https://doaj.org/toc/1412-4181https://doaj.org/toc/2685-287XThis article is the result of a study about a physical cultural legacy that is also an artistic product left over from the heydayof the Islamic dynasty from the 17th to the 19th century. For this reason, there are two artistic aspects that need to be observedclosely in the analysis of the form, function, and meaning of grave ornaments, namely the aesthetical context or the presentationof the ornaments, including the form and expertise which gave rise to the style, and secondly the context of meaning,including the message and connection of the symbols on the ornaments, or the symbolic value. The investigation of theaesthetical value of the form and function of grave ornaments aims to discover the meaning that has become associated witha particular work, and as such, the existence of the ornaments is analyzed based on an interactional and interpretationalanalysis through an archeological aesthetical approach. The interactional analysis is carried out in order to gain an intersubjectiveinterpretation of the data that is obtained by using ethical research or based either on the data in a bibliographicalstudy or on the knowledge and opinion of the researcher. The goal of the analysis is to discover the form, function, andmeaning of the ornaments on the graves in the cemetery of Bugis kings. The benefit of the analysis is that it shows that theexistence of grave ornaments is not only a form of cultural identity of the local community but also provides a wealth ofinformation that is communicated through the visual symbols found in the patterns or motifs contained in the grave ornaments. Keywords: Form, function, meaning, and grave ornaments.Meisar AshariInstitut Seni Indonesia SurakartaarticleFine ArtsNIDDewa Ruci: Jurnal Pengkajian dan Penciptaan Seni, Vol 8, Iss 3 (2016)
institution	DOAJ
collection	DOAJ
language	ID
topic	Fine Arts N
spellingShingle	Fine Arts N Meisar Ashari STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
description	This article is the result of a study about a physical cultural legacy that is also an artistic product left over from the heydayof the Islamic dynasty from the 17th to the 19th century. For this reason, there are two artistic aspects that need to be observedclosely in the analysis of the form, function, and meaning of grave ornaments, namely the aesthetical context or the presentationof the ornaments, including the form and expertise which gave rise to the style, and secondly the context of meaning,including the message and connection of the symbols on the ornaments, or the symbolic value. The investigation of theaesthetical value of the form and function of grave ornaments aims to discover the meaning that has become associated witha particular work, and as such, the existence of the ornaments is analyzed based on an interactional and interpretationalanalysis through an archeological aesthetical approach. The interactional analysis is carried out in order to gain an intersubjectiveinterpretation of the data that is obtained by using ethical research or based either on the data in a bibliographicalstudy or on the knowledge and opinion of the researcher. The goal of the analysis is to discover the form, function, andmeaning of the ornaments on the graves in the cemetery of Bugis kings. The benefit of the analysis is that it shows that theexistence of grave ornaments is not only a form of cultural identity of the local community but also provides a wealth ofinformation that is communicated through the visual symbols found in the patterns or motifs contained in the grave ornaments. Keywords: Form, function, meaning, and grave ornaments.
format	article
author	Meisar Ashari
author_facet	Meisar Ashari
author_sort	Meisar Ashari
title	STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
title_short	STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
title_full	STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
title_fullStr	STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
title_full_unstemmed	STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS
title_sort	studi bentuk, fungsi dan makna ornamen makam di kompleks makam raja-raja bugis
publisher	Institut Seni Indonesia Surakarta
publishDate	2016
url	https://doaj.org/article/35949d07cda9453bba3d0759acdbd7b3
work_keys_str_mv	AT meisarashari studibentukfungsidanmaknaornamenmakamdikompleksmakamrajarajabugis
_version_	1718409893142069248

STUDI BENTUK, FUNGSI DAN MAKNA ORNAMEN MAKAM DI KOMPLEKS MAKAM RAJA-RAJA BUGIS

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