A tensão pós-moderna no cinema
Increasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general underst...
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| Formato: | article |
| Lenguaje: | PT |
| Publicado: |
Universidade do Vale do Rio dos Sinos (UNISINOS)
2007
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| Materias: | |
| Acceso en línea: | https://doaj.org/article/35caf3e9bd1b46bdb504e299ba6e824b |
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| Sumario: | Increasing interest in new special effect technologies has fostered new possibilities in the
use of cinema apparatuses. Digital as well as other technologies, which have been used to
represent illusion, fantasy or realism, have been a feature of contemporary cinema
production. The general understanding is that cinema´s strength lies in the possibility of
creating images of the real not necessarily the real. This is the key element in the production
of meaning, making cinema a signifying system connected to reality. Starting from different
theories about the condition of post-modernity, this paper discusses contemporary cinema
production by looking at the representation of urban space and violence as well as
new paradigms for representing and understanding cultural identity in post-modernity
and how we represent it through images |
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