A tensão pós-moderna no cinema
Increasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general underst...
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Universidade do Vale do Rio dos Sinos (UNISINOS)
2007
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| Acceso en línea: | https://doaj.org/article/35caf3e9bd1b46bdb504e299ba6e824b |
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oai:doaj.org-article:35caf3e9bd1b46bdb504e299ba6e824b2021-11-11T15:41:57ZA tensão pós-moderna no cinema2177-6229https://doaj.org/article/35caf3e9bd1b46bdb504e299ba6e824b2007-01-01T00:00:00Zhttp://www.redalyc.org/articulo.oa?id=93843108https://doaj.org/toc/2177-6229Increasing interest in new special effect technologies has fostered new possibilities in the use of cinema apparatuses. Digital as well as other technologies, which have been used to represent illusion, fantasy or realism, have been a feature of contemporary cinema production. The general understanding is that cinema´s strength lies in the possibility of creating images of the real not necessarily the real. This is the key element in the production of meaning, making cinema a signifying system connected to reality. Starting from different theories about the condition of post-modernity, this paper discusses contemporary cinema production by looking at the representation of urban space and violence as well as new paradigms for representing and understanding cultural identity in post-modernity and how we represent it through imagesMaria Helena Braga e Vaz da CostaUniversidade do Vale do Rio dos Sinos (UNISINOS)articlecinemapostmodernityurban spaceviolencecultural identitySocial SciencesHSocial sciences (General)H1-99PTCiências Sociais Unisinos, Vol 43, Iss 1, Pp 79-85 (2007) |
| institution |
DOAJ |
| collection |
DOAJ |
| language |
PT |
| topic |
cinema post modernity urban space violence cultural identity Social Sciences H Social sciences (General) H1-99 |
| spellingShingle |
cinema post modernity urban space violence cultural identity Social Sciences H Social sciences (General) H1-99 Maria Helena Braga e Vaz da Costa A tensão pós-moderna no cinema |
| description |
Increasing interest in new special effect technologies has fostered new possibilities in the
use of cinema apparatuses. Digital as well as other technologies, which have been used to
represent illusion, fantasy or realism, have been a feature of contemporary cinema
production. The general understanding is that cinema´s strength lies in the possibility of
creating images of the real not necessarily the real. This is the key element in the production
of meaning, making cinema a signifying system connected to reality. Starting from different
theories about the condition of post-modernity, this paper discusses contemporary cinema
production by looking at the representation of urban space and violence as well as
new paradigms for representing and understanding cultural identity in post-modernity
and how we represent it through images |
| format |
article |
| author |
Maria Helena Braga e Vaz da Costa |
| author_facet |
Maria Helena Braga e Vaz da Costa |
| author_sort |
Maria Helena Braga e Vaz da Costa |
| title |
A tensão pós-moderna no cinema |
| title_short |
A tensão pós-moderna no cinema |
| title_full |
A tensão pós-moderna no cinema |
| title_fullStr |
A tensão pós-moderna no cinema |
| title_full_unstemmed |
A tensão pós-moderna no cinema |
| title_sort |
tensão pós-moderna no cinema |
| publisher |
Universidade do Vale do Rio dos Sinos (UNISINOS) |
| publishDate |
2007 |
| url |
https://doaj.org/article/35caf3e9bd1b46bdb504e299ba6e824b |
| work_keys_str_mv |
AT mariahelenabragaevazdacosta atensaoposmodernanocinema AT mariahelenabragaevazdacosta tensaoposmodernanocinema |
| _version_ |
1718434206916280320 |