Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”

On the example of reading two texts the story of N. Leskov “The Enchanted Wanderer” and the libretto of “opera for a concert stage” by R. Shchedrin the mechanism of transformation of a literary text into an opera libretto text is described in the article. The principles of elimination, intensificati...

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Autores principales:	S. V. Burdina, L. N. Sultanova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	story libretto main character plot composition genre transformation n. leskov r. shchedrin Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/371196a9f818410d81def25f4af70d5a
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spelling	oai:doaj.org-article:371196a9f818410d81def25f4af70d5a2021-12-02T07:58:10ZPeculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”2225-756X2227-129510.24224/2227-1295-2020-5-272-285https://doaj.org/article/371196a9f818410d81def25f4af70d5a2020-05-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1509https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295On the example of reading two texts the story of N. Leskov “The Enchanted Wanderer” and the libretto of “opera for a concert stage” by R. Shchedrin the mechanism of transformation of a literary text into an opera libretto text is described in the article. The principles of elimination, intensification and re-emphasis are described as basic principles of such a transformation. It is shown how their implementation affects the concept of the main character, genre features and the architectonics of the libretto. Particular attention is paid to the concept of the main character. It is concluded that, working with Leskov’s text, reducing and supplementing it, shifting individual accents, R. Shchedrin as a whole does not deviate from the narrative in the interpretation of the concept of the main character, does not violate the genre specificity of the work, the general drawing of its plot and plot canvas. The relevance of the article is due to the fact that Shchedrin’s opera “The Enchanted Wanderer” (last production - New York, 2015) still causes a considerable research reaction both in Russia and abroad. The novelty of the article is due to the fact that there is no literary study on the comparative analysis of two texts: the story of Leskov and the opera libretto by Shchedrin. Meanwhile, the consideration of the ways and methods that artists went to implement the main idea of the work seems important and interesting.S. V. BurdinaL. N. SultanovaTsentr nauchnykh i obrazovatelnykh proektovarticlestorylibrettomain characterplotcompositiongenretransformationn. leskovr. shchedrinSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 5, Pp 272-285 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	story libretto main character plot composition genre transformation n. leskov r. shchedrin Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	story libretto main character plot composition genre transformation n. leskov r. shchedrin Slavic languages. Baltic languages. Albanian languages PG1-9665 S. V. Burdina L. N. Sultanova Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
description	On the example of reading two texts the story of N. Leskov “The Enchanted Wanderer” and the libretto of “opera for a concert stage” by R. Shchedrin the mechanism of transformation of a literary text into an opera libretto text is described in the article. The principles of elimination, intensification and re-emphasis are described as basic principles of such a transformation. It is shown how their implementation affects the concept of the main character, genre features and the architectonics of the libretto. Particular attention is paid to the concept of the main character. It is concluded that, working with Leskov’s text, reducing and supplementing it, shifting individual accents, R. Shchedrin as a whole does not deviate from the narrative in the interpretation of the concept of the main character, does not violate the genre specificity of the work, the general drawing of its plot and plot canvas. The relevance of the article is due to the fact that Shchedrin’s opera “The Enchanted Wanderer” (last production - New York, 2015) still causes a considerable research reaction both in Russia and abroad. The novelty of the article is due to the fact that there is no literary study on the comparative analysis of two texts: the story of Leskov and the opera libretto by Shchedrin. Meanwhile, the consideration of the ways and methods that artists went to implement the main idea of the work seems important and interesting.
format	article
author	S. V. Burdina L. N. Sultanova
author_facet	S. V. Burdina L. N. Sultanova
author_sort	S. V. Burdina
title	Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
title_short	Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
title_full	Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
title_fullStr	Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
title_full_unstemmed	Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”
title_sort	peculiarity of embodiment of literary text by n. leskov in libretto of opera by r. shchedrin “the enchanted wanderer”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/371196a9f818410d81def25f4af70d5a
work_keys_str_mv	AT svburdina peculiarityofembodimentofliterarytextbynleskovinlibrettoofoperabyrshchedrintheenchantedwanderer AT lnsultanova peculiarityofembodimentofliterarytextbynleskovinlibrettoofoperabyrshchedrintheenchantedwanderer
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Peculiarity of Embodiment of Literary Text by N. Leskov in Libretto of Opera by R. Shchedrin “The Enchanted Wanderer”

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