The Main Tendencies of Spontaneous Prose in the Stories of John McGregor

The principles and techniques of spontaneous prose in the stories of the modern English writer J. McGregor are considered. The novelty of the research is determined by the insufficient study of the specifics of spontaneous prose in modern literature in general and the principles of spontaneity in th...

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Autores principales:	G. I. Lushnikova, T. Yu. Osadchaya
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2020
Materias:	j. mcgregor spontaneous prose mindflow polyphony versatility implication collage reception Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/371ee141f5b74ffda58e89828e9445c5
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id	oai:doaj.org-article:371ee141f5b74ffda58e89828e9445c5
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spelling	oai:doaj.org-article:371ee141f5b74ffda58e89828e9445c52021-12-02T07:58:12ZThe Main Tendencies of Spontaneous Prose in the Stories of John McGregor2225-756X2227-129510.24224/2227-1295-2020-9-250-264https://doaj.org/article/371ee141f5b74ffda58e89828e9445c52020-09-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1936https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The principles and techniques of spontaneous prose in the stories of the modern English writer J. McGregor are considered. The novelty of the research is determined by the insufficient study of the specifics of spontaneous prose in modern literature in general and the principles of spontaneity in the stories of J. McGregor, in particular. The relevance of the research is due to the fact that the new narrative forms that take place in the works of modern literature require close study, the development of special decoding methods. It is shown that spontaneous prose provides the writer with an opportunity for various kinds of experiments that relate to both the form of the narrative and the content of the work. It is concluded that the main tendencies of spontaneity, which are realized in the stories of J. McGregor, are the following elements: polyphony, the presence of a second implicit narrative plan, imitation of the stream of consciousness in the external and internal speech of characters, creation of sketch images of heroes, description of events in the form of sketches, a narrative collage technique reminiscent of a series of snapshots or still frames. It is proved that all of the above techniques provoke many implications, give rise to various associations and are aimed at involving the reader in the process of interpreting the work, his active co-creation.G. I. LushnikovaT. Yu. OsadchayaTsentr nauchnykh i obrazovatelnykh proektovarticlej. mcgregorspontaneous prosemindflowpolyphonyversatilityimplicationcollage receptionSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 9, Pp 250-264 (2020)
institution	DOAJ
collection	DOAJ
language	RU
topic	j. mcgregor spontaneous prose mindflow polyphony versatility implication collage reception Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	j. mcgregor spontaneous prose mindflow polyphony versatility implication collage reception Slavic languages. Baltic languages. Albanian languages PG1-9665 G. I. Lushnikova T. Yu. Osadchaya The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
description	The principles and techniques of spontaneous prose in the stories of the modern English writer J. McGregor are considered. The novelty of the research is determined by the insufficient study of the specifics of spontaneous prose in modern literature in general and the principles of spontaneity in the stories of J. McGregor, in particular. The relevance of the research is due to the fact that the new narrative forms that take place in the works of modern literature require close study, the development of special decoding methods. It is shown that spontaneous prose provides the writer with an opportunity for various kinds of experiments that relate to both the form of the narrative and the content of the work. It is concluded that the main tendencies of spontaneity, which are realized in the stories of J. McGregor, are the following elements: polyphony, the presence of a second implicit narrative plan, imitation of the stream of consciousness in the external and internal speech of characters, creation of sketch images of heroes, description of events in the form of sketches, a narrative collage technique reminiscent of a series of snapshots or still frames. It is proved that all of the above techniques provoke many implications, give rise to various associations and are aimed at involving the reader in the process of interpreting the work, his active co-creation.
format	article
author	G. I. Lushnikova T. Yu. Osadchaya
author_facet	G. I. Lushnikova T. Yu. Osadchaya
author_sort	G. I. Lushnikova
title	The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
title_short	The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
title_full	The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
title_fullStr	The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
title_full_unstemmed	The Main Tendencies of Spontaneous Prose in the Stories of John McGregor
title_sort	main tendencies of spontaneous prose in the stories of john mcgregor
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2020
url	https://doaj.org/article/371ee141f5b74ffda58e89828e9445c5
work_keys_str_mv	AT gilushnikova themaintendenciesofspontaneousproseinthestoriesofjohnmcgregor AT tyuosadchaya themaintendenciesofspontaneousproseinthestoriesofjohnmcgregor AT gilushnikova maintendenciesofspontaneousproseinthestoriesofjohnmcgregor AT tyuosadchaya maintendenciesofspontaneousproseinthestoriesofjohnmcgregor
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The Main Tendencies of Spontaneous Prose in the Stories of John McGregor

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