Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”

The article considers the story of the English writer Virginia Woolf “Flush” (1933) as a kind of modernist experimental biography in which the conventions of traditional biography are parodied. The main attention is paid to the unusual choice of the hero of the biography, the Spaniel Flush, the belo...

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Autor principal:	E. V. Ushakova
Formato:	article
Lenguaje:	RU
Publicado:	Tsentr nauchnykh i obrazovatelnykh proektov 2019
Materias:	«флаш» biography woolf modernism “flush” elizabeth barrett browning feminism Slavic languages. Baltic languages. Albanian languages PG1-9665
Acceso en línea:	https://doaj.org/article/387b69f0849c4688ad994810aece4cd0
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spelling	oai:doaj.org-article:387b69f0849c4688ad994810aece4cd02021-12-02T07:58:09ZOvercoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”2225-756X2227-129510.24224/2227-1295-2019-12-187-197https://doaj.org/article/387b69f0849c4688ad994810aece4cd02019-12-01T00:00:00Zhttps://www.nauka-dialog.ru/jour/article/view/1410https://doaj.org/toc/2225-756Xhttps://doaj.org/toc/2227-1295The article considers the story of the English writer Virginia Woolf “Flush” (1933) as a kind of modernist experimental biography in which the conventions of traditional biography are parodied. The main attention is paid to the unusual choice of the hero of the biography, the Spaniel Flush, the beloved dog of Elizabeth Barrett-Browning, who gave Woolf the opportunity to ironize over “serious” biographies. It is reported that significant events in the life of the famous English poetess are shown through the eyes of her dog, on the one hand, limited by the biological characteristics of perception, on the other hand, free in its judgments. Attention is paid not only to the creative polemic of Woolf with limitations of the biographical genre, but also to how the problems of the position of women in society, also surrounded by a number of restrictions and prohibitions, are revealed in the story. An analysis of the episodes and the role of female characters demonstrates the writer’s attitude to the issue of a woman gaining freedom in society and in her own work. Two main lines of the story, related to overcoming the boundaries of both the biography genre and the restrictions that fetter a woman writer trying to realize her creative and life potential are revealed.E. V. UshakovaTsentr nauchnykh i obrazovatelnykh proektovarticle«флаш»biographywoolfmodernism“flush”elizabeth barrett browningfeminismSlavic languages. Baltic languages. Albanian languagesPG1-9665RUНаучный диалог, Vol 0, Iss 12, Pp 187-197 (2019)
institution	DOAJ
collection	DOAJ
language	RU
topic	«флаш» biography woolf modernism “flush” elizabeth barrett browning feminism Slavic languages. Baltic languages. Albanian languages PG1-9665
spellingShingle	«флаш» biography woolf modernism “flush” elizabeth barrett browning feminism Slavic languages. Baltic languages. Albanian languages PG1-9665 E. V. Ushakova Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
description	The article considers the story of the English writer Virginia Woolf “Flush” (1933) as a kind of modernist experimental biography in which the conventions of traditional biography are parodied. The main attention is paid to the unusual choice of the hero of the biography, the Spaniel Flush, the beloved dog of Elizabeth Barrett-Browning, who gave Woolf the opportunity to ironize over “serious” biographies. It is reported that significant events in the life of the famous English poetess are shown through the eyes of her dog, on the one hand, limited by the biological characteristics of perception, on the other hand, free in its judgments. Attention is paid not only to the creative polemic of Woolf with limitations of the biographical genre, but also to how the problems of the position of women in society, also surrounded by a number of restrictions and prohibitions, are revealed in the story. An analysis of the episodes and the role of female characters demonstrates the writer’s attitude to the issue of a woman gaining freedom in society and in her own work. Two main lines of the story, related to overcoming the boundaries of both the biography genre and the restrictions that fetter a woman writer trying to realize her creative and life potential are revealed.
format	article
author	E. V. Ushakova
author_facet	E. V. Ushakova
author_sort	E. V. Ushakova
title	Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
title_short	Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
title_full	Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
title_fullStr	Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
title_full_unstemmed	Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”
title_sort	overcoming the boundaries: originality of problems and genre form of the novel by v. woolf “flush”
publisher	Tsentr nauchnykh i obrazovatelnykh proektov
publishDate	2019
url	https://doaj.org/article/387b69f0849c4688ad994810aece4cd0
work_keys_str_mv	AT evushakova overcomingtheboundariesoriginalityofproblemsandgenreformofthenovelbyvwoolfflush
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Overcoming the Boundaries: Originality of Problems and Genre Form of the Novel by V. Woolf “Flush”

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