Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married coup...

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Autores principales:	Jelena Anđelković Grašar, Milica Tapavički-Ilić
Formato:	article
Lenguaje:	EN
Publicado:	EXARC 2015
Materias:	painting grave roman era serbia Museums. Collectors and collecting AM1-501 Archaeology CC1-960
Acceso en línea:	https://doaj.org/article/38d0aae963f946e4b65a5cfa9c39561f
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id	oai:doaj.org-article:38d0aae963f946e4b65a5cfa9c39561f
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spelling	oai:doaj.org-article:38d0aae963f946e4b65a5cfa9c39561f2021-12-01T14:42:32ZMural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon2212-8956https://doaj.org/article/38d0aae963f946e4b65a5cfa9c39561f2015-05-01T00:00:00Zhttps://exarc.net/ark:/88735/10191https://doaj.org/toc/2212-8956During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or sometimes individuals. Examples of deceased married couples, depicted as master and mistress of the tomb, can be seen in the tombs of Beška, Serbia (Đurić 1985a, 5-18; Marijanski-Manojlović 1987, 17-32), Silistra, Bulgaria (Димитров and Чичикова 1986; Danov and Ivanov 1980, 105-121; Atanasov 2007, 447-468), Osenovo, Bulgaria (Pillinger, Popova and Zimmermann 1999, 14), Plovdiv, Bulgaria (Овчаров and Ваклинова 1978, 26-27) and Thessalonica, Greece (Dunbabin 2003, 454).Jelena Anđelković GrašarMilica Tapavički-IlićEXARCarticlepaintinggraveroman eraserbiaMuseums. Collectors and collectingAM1-501ArchaeologyCC1-960ENEXARC Journal, Iss 2015/2 (2015)
institution	DOAJ
collection	DOAJ
language	EN
topic	painting grave roman era serbia Museums. Collectors and collecting AM1-501 Archaeology CC1-960
spellingShingle	painting grave roman era serbia Museums. Collectors and collecting AM1-501 Archaeology CC1-960 Jelena Anđelković Grašar Milica Tapavički-Ilić Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
description	During the late antiquity, fresco decorated tombs had a prominent place in funerary practice. All of the scenes and motifs within tombs are dedicated to the deceased persons and their apotheosis. Usually painted on the western wall of the tomb, these portraits could represent a deceased married couple or sometimes individuals. Examples of deceased married couples, depicted as master and mistress of the tomb, can be seen in the tombs of Beška, Serbia (Đurić 1985a, 5-18; Marijanski-Manojlović 1987, 17-32), Silistra, Bulgaria (Димитров and Чичикова 1986; Danov and Ivanov 1980, 105-121; Atanasov 2007, 447-468), Osenovo, Bulgaria (Pillinger, Popova and Zimmermann 1999, 14), Plovdiv, Bulgaria (Овчаров and Ваклинова 1978, 26-27) and Thessalonica, Greece (Dunbabin 2003, 454).
format	article
author	Jelena Anđelković Grašar Milica Tapavički-Ilić
author_facet	Jelena Anđelković Grašar Milica Tapavički-Ilić
author_sort	Jelena Anđelković Grašar
title	Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
title_short	Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
title_full	Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
title_fullStr	Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
title_full_unstemmed	Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon
title_sort	mural painting of a roman lady from viminacium: from roman matron to the modern icon
publisher	EXARC
publishDate	2015
url	https://doaj.org/article/38d0aae963f946e4b65a5cfa9c39561f
work_keys_str_mv	AT jelenaanđelkovicgrasar muralpaintingofaromanladyfromviminaciumfromromanmatrontothemodernicon AT milicatapavickiilic muralpaintingofaromanladyfromviminaciumfromromanmatrontothemodernicon
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Mural Painting of a Roman Lady from Viminacium: From Roman Matron to the Modern Icon

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