O cinema avant la lettre: as imagens pró-cinematográficas.

This paper discusses how the concepts of the French philosopher Gilles Deleuze affection-image, action-image and image relationship are found in the photograph. It starts with the comparison of descriptions of images made by Deleuze with Peirce’s categories in order to show these categories form a...

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Auteur principal:	Milton Chamarelli Filho
Format:	article
Langue:	EN ES PT
Publié:	Nepan editor 2013
Sujets:	images gilles delleuze peirce' categories History of scholarship and learning. The humanities AZ20-999
Accès en ligne:	https://doi.org/10.29327/210932.2.1-15 https://doaj.org/article/390d583a8adc4e08b7764cfb0e0e1716
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id	oai:doaj.org-article:390d583a8adc4e08b7764cfb0e0e1716
record_format	dspace
spelling	oai:doaj.org-article:390d583a8adc4e08b7764cfb0e0e17162021-12-02T22:13:19ZO cinema avant la lettre: as imagens pró-cinematográficas.https://doi.org/10.29327/210932.2.1-151807-18562525-5924https://doaj.org/article/390d583a8adc4e08b7764cfb0e0e17162013-09-01T00:00:00Zhttps://periodicos.ufac.br/index.php/mui/article/view/701https://doaj.org/toc/1807-1856https://doaj.org/toc/2525-5924This paper discusses how the concepts of the French philosopher Gilles Deleuze affection-image, action-image and image relationship are found in the photograph. It starts with the comparison of descriptions of images made by Deleuze with Peirce’s categories in order to show these categories form a substrate that is not only the images of the film, but other means of artistic production.Milton Chamarelli FilhoNepan editorarticleimagesgilles delleuzepeirce' categoriesHistory of scholarship and learning. The humanitiesAZ20-999ENESPTMuiraquitã, Vol 2, Iss 1, Pp 299-312 (2013)
institution	DOAJ
collection	DOAJ
language	EN ES PT
topic	images gilles delleuze peirce' categories History of scholarship and learning. The humanities AZ20-999
spellingShingle	images gilles delleuze peirce' categories History of scholarship and learning. The humanities AZ20-999 Milton Chamarelli Filho O cinema avant la lettre: as imagens pró-cinematográficas.
description	This paper discusses how the concepts of the French philosopher Gilles Deleuze affection-image, action-image and image relationship are found in the photograph. It starts with the comparison of descriptions of images made by Deleuze with Peirce’s categories in order to show these categories form a substrate that is not only the images of the film, but other means of artistic production.
format	article
author	Milton Chamarelli Filho
author_facet	Milton Chamarelli Filho
author_sort	Milton Chamarelli Filho
title	O cinema avant la lettre: as imagens pró-cinematográficas.
title_short	O cinema avant la lettre: as imagens pró-cinematográficas.
title_full	O cinema avant la lettre: as imagens pró-cinematográficas.
title_fullStr	O cinema avant la lettre: as imagens pró-cinematográficas.
title_full_unstemmed	O cinema avant la lettre: as imagens pró-cinematográficas.
title_sort	o cinema avant la lettre: as imagens pró-cinematográficas.
publisher	Nepan editor
publishDate	2013
url	https://doi.org/10.29327/210932.2.1-15 https://doaj.org/article/390d583a8adc4e08b7764cfb0e0e1716
work_keys_str_mv	AT miltonchamarellifilho ocinemaavantlalettreasimagensprocinematograficas
_version_	1718374043979087872

O cinema avant la lettre: as imagens pró-cinematográficas.

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