Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts

Vaporwave grabs the attention of internet voyager with harsh collages glued together in a technically primitive manner. It’s a cultural phenomenon which both originated and is active solely on the internet. In the context of general internet culture Vaporwave is exclusive in its aesthetics due to th...

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Autor principal:	Dovydaitis Gytis
Formato:	article
Lenguaje:	EN
Publicado:	Sciendo 2021
Materias:	vaporwave internet culture affect nostalgia hyperreality simulacrum Fine Arts N
Acceso en línea:	https://doaj.org/article/3a2911cddc8f4cf2809ed96358687ef1
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spelling	oai:doaj.org-article:3a2911cddc8f4cf2809ed96358687ef12021-12-05T14:11:08ZCelebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts1822-454710.2478/mik-2021-0010https://doaj.org/article/3a2911cddc8f4cf2809ed96358687ef12021-12-01T00:00:00Zhttps://doi.org/10.2478/mik-2021-0010https://doaj.org/toc/1822-4547Vaporwave grabs the attention of internet voyager with harsh collages glued together in a technically primitive manner. It’s a cultural phenomenon which both originated and is active solely on the internet. In the context of general internet culture Vaporwave is exclusive in its aesthetics due to the domination of violet and pink colors, technically primitive quality of texts, fetishization of 8th and 9th decade mainstream commodities and acute nostalgic undertones. Vaporwave has been mostly explored as a music genre or sociological phenomenon, while its visual aspect has mostly remained unattended. This article seeks to analyze the conceptual aspects embodied within Vaporwave visuals, to briefly compare them with music, and to unpack the mechanism of nostalgia as an affective entry point to the movement. The interpretation is mainly lead by Jean Baudrillard’s theory of hyperreality, and interpretational principles of hermeneutics. Five Tumblr blogs were analyzed. Hermeneutic inquiry into the texts yielded seven distinct symbol categories differentiated by the affect they generate: nostalgic commodities, idyllic classics, melancholic landscapes, harsh distortions, gentle geometry, depressive texts, and ecstatic brands. Each of these categories here are elaborated in detail finally summarizing the multilayered symbolism of the movement. It can be described as nostalgically challenging visual conventions through harsh technical quality and opposing codes of behavior through open expressions of depression and melancholy, thus exposing the doubts of individual imprisoned in postmodern society. ’80s and ’90s here become hyperreal fantasy lands of the past where a nostalgic individual can find refuge. In comparison to music, the visual aspect of Vaporwave highlights the technology as central artefacts of nostalgia, introduces new ways to analyze late capitalist consumer culture, and brings an intimate dialogue with hyperreality to the front. The article suggests that Vaporwave is a post-ironic art movement which both celebrates and criticizes capitalism, finally remaining vague whether there are ways to escape the system, and whether these ways should even be looked for.Dovydaitis GytisSciendoarticlevaporwaveinternet cultureaffectnostalgiahyperrealitysimulacrumFine ArtsNENMeno Istorija ir Kritika, Vol 17, Iss 1, Pp 113-134 (2021)
institution	DOAJ
collection	DOAJ
language	EN
topic	vaporwave internet culture affect nostalgia hyperreality simulacrum Fine Arts N
spellingShingle	vaporwave internet culture affect nostalgia hyperreality simulacrum Fine Arts N Dovydaitis Gytis Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
description	Vaporwave grabs the attention of internet voyager with harsh collages glued together in a technically primitive manner. It’s a cultural phenomenon which both originated and is active solely on the internet. In the context of general internet culture Vaporwave is exclusive in its aesthetics due to the domination of violet and pink colors, technically primitive quality of texts, fetishization of 8th and 9th decade mainstream commodities and acute nostalgic undertones. Vaporwave has been mostly explored as a music genre or sociological phenomenon, while its visual aspect has mostly remained unattended. This article seeks to analyze the conceptual aspects embodied within Vaporwave visuals, to briefly compare them with music, and to unpack the mechanism of nostalgia as an affective entry point to the movement. The interpretation is mainly lead by Jean Baudrillard’s theory of hyperreality, and interpretational principles of hermeneutics. Five Tumblr blogs were analyzed. Hermeneutic inquiry into the texts yielded seven distinct symbol categories differentiated by the affect they generate: nostalgic commodities, idyllic classics, melancholic landscapes, harsh distortions, gentle geometry, depressive texts, and ecstatic brands. Each of these categories here are elaborated in detail finally summarizing the multilayered symbolism of the movement. It can be described as nostalgically challenging visual conventions through harsh technical quality and opposing codes of behavior through open expressions of depression and melancholy, thus exposing the doubts of individual imprisoned in postmodern society. ’80s and ’90s here become hyperreal fantasy lands of the past where a nostalgic individual can find refuge. In comparison to music, the visual aspect of Vaporwave highlights the technology as central artefacts of nostalgia, introduces new ways to analyze late capitalist consumer culture, and brings an intimate dialogue with hyperreality to the front. The article suggests that Vaporwave is a post-ironic art movement which both celebrates and criticizes capitalism, finally remaining vague whether there are ways to escape the system, and whether these ways should even be looked for.
format	article
author	Dovydaitis Gytis
author_facet	Dovydaitis Gytis
author_sort	Dovydaitis Gytis
title	Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
title_short	Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
title_full	Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
title_fullStr	Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
title_full_unstemmed	Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts
title_sort	celebration of the hyperreal nostalgia: categorization and analysis of visual vaporwave artefacts
publisher	Sciendo
publishDate	2021
url	https://doaj.org/article/3a2911cddc8f4cf2809ed96358687ef1
work_keys_str_mv	AT dovydaitisgytis celebrationofthehyperrealnostalgiacategorizationandanalysisofvisualvaporwaveartefacts
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Celebration of the Hyperreal Nostalgia: Categorization and Analysis of Visual Vaporwave Artefacts

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