A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music

The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity. Music is considered a socio-cultural artifact, which mediates the processes of collective identity construction, and...

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Autor principal:	Ana Đorđević
Formato:	article
Lenguaje:	EN FR SR
Publicado:	University of Belgrade 2020
Materias:	music collective identity anthropology ethnomusicology cultural psychology of music Anthropology GN1-890
Acceso en línea:	https://doaj.org/article/3b604ec4d1944a1cbfe4c1afc6e349f4
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id	oai:doaj.org-article:3b604ec4d1944a1cbfe4c1afc6e349f4
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spelling	oai:doaj.org-article:3b604ec4d1944a1cbfe4c1afc6e349f42021-12-02T11:13:03ZA Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music10.21301/eap.v15i3.110353-15892334-8801https://doaj.org/article/3b604ec4d1944a1cbfe4c1afc6e349f42020-11-01T00:00:00Zhttps://www.eap-iea.org/index.php/eap/article/view/1083https://doaj.org/toc/0353-1589https://doaj.org/toc/2334-8801The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity. Music is considered a socio-cultural artifact, which mediates the processes of collective identity construction, and whose function in such process can be multiple. In order to understand the ways in which it is sutured into (in)formal processes of collective (self)identification, we propose simultaneous consideration of various dimensions: cultural, social, political, psychological. Although there already has been interdisciplinary research of the role of music in the emergence of identity, we advocate for a more complementary approach, by a consideration of the psychological accounts, adjusted to the needs of ethno-anthropological analysis. As the most comprehensive theoretical approach, we propose cultural psychology of music. Future empirical research on specific identity processes mediation by music as cultural artifact, should include the analysis of intersecting local and global social trends, aspects of musicological analysis, specificities of psychological development of identity, the role of socio-political strategies of identity formation, and, last but not least, cultural specificity of the community in focus of the research. We find the complexity of the phenomenon in focus to be obligatory for the complexity of the theoretical and methodological approach. Ana ĐorđevićUniversity of Belgradearticlemusiccollective identityanthropologyethnomusicologycultural psychology of musicAnthropologyGN1-890ENFRSREtnoantropološki Problemi, Vol 15, Iss 3 (2020)
institution	DOAJ
collection	DOAJ
language	EN FR SR
topic	music collective identity anthropology ethnomusicology cultural psychology of music Anthropology GN1-890
spellingShingle	music collective identity anthropology ethnomusicology cultural psychology of music Anthropology GN1-890 Ana Đorđević A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
description	The aim of the present study lies in an effort of converging anthropological, ethnomusicological and psychological approach to the relationship between music and collective identity. Music is considered a socio-cultural artifact, which mediates the processes of collective identity construction, and whose function in such process can be multiple. In order to understand the ways in which it is sutured into (in)formal processes of collective (self)identification, we propose simultaneous consideration of various dimensions: cultural, social, political, psychological. Although there already has been interdisciplinary research of the role of music in the emergence of identity, we advocate for a more complementary approach, by a consideration of the psychological accounts, adjusted to the needs of ethno-anthropological analysis. As the most comprehensive theoretical approach, we propose cultural psychology of music. Future empirical research on specific identity processes mediation by music as cultural artifact, should include the analysis of intersecting local and global social trends, aspects of musicological analysis, specificities of psychological development of identity, the role of socio-political strategies of identity formation, and, last but not least, cultural specificity of the community in focus of the research. We find the complexity of the phenomenon in focus to be obligatory for the complexity of the theoretical and methodological approach.
format	article
author	Ana Đorđević
author_facet	Ana Đorđević
author_sort	Ana Đorđević
title	A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
title_short	A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
title_full	A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
title_fullStr	A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
title_full_unstemmed	A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music
title_sort	consideration of the relationship between music and collective identity: from the viewpoint of cultural psychology of music
publisher	University of Belgrade
publishDate	2020
url	https://doaj.org/article/3b604ec4d1944a1cbfe4c1afc6e349f4
work_keys_str_mv	AT anađorđevic aconsiderationoftherelationshipbetweenmusicandcollectiveidentityfromtheviewpointofculturalpsychologyofmusic AT anađorđevic considerationoftherelationshipbetweenmusicandcollectiveidentityfromtheviewpointofculturalpsychologyofmusic
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A Consideration of the Relationship Between Music and Collective Identity: From the Viewpoint of Cultural Psychology of Music

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