Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing qu...
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| Formato: | article |
| Lenguaje: | EN |
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University of Edinburgh
2005
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| Acceso en línea: | https://doaj.org/article/3ba2274e2e5f42af952560198d9ff355 |
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| Sumario: | Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts. |
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