Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image

Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing qu...

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Autor principal:	Daniel Yacavone
Formato:	article
Lenguaje:	EN
Publicado:	University of Edinburgh 2005
Materias:	Fine Arts N Language and Literature P
Acceso en línea:	https://doaj.org/article/3ba2274e2e5f42af952560198d9ff355
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spelling	oai:doaj.org-article:3ba2274e2e5f42af952560198d9ff3552021-11-23T09:46:01ZJean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image1749-9771https://doaj.org/article/3ba2274e2e5f42af952560198d9ff3552005-12-01T00:00:00Zhttp://www.forumjournal.org/article/view/543https://doaj.org/toc/1749-9771Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts.Daniel YacavoneUniversity of EdinburgharticleFine ArtsNLanguage and LiteraturePENForum, Iss 01 (2005)
institution	DOAJ
collection	DOAJ
language	EN
topic	Fine Arts N Language and Literature P
spellingShingle	Fine Arts N Language and Literature P Daniel Yacavone Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
description	Jean-Luc Godard's incorporation of paintings, comic strip images, and print advertisements in two of his seminal 1960's 'collage' films, Pierrot le fou (1965) and 2 ou 3 choses que je sais d'elle (Two or Three Things I Know About Her, 1967), prompts a number of intriguing questions concerning the re-presentation and re-contextualization of pre-existing (in this case, mechanically reproduced) images in film and the plastic arts.
format	article
author	Daniel Yacavone
author_facet	Daniel Yacavone
author_sort	Daniel Yacavone
title	Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_short	Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_full	Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_fullStr	Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_full_unstemmed	Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image
title_sort	jean-luc godard and roy lichtenstein: originality, reflexivity, and the re-presented image
publisher	University of Edinburgh
publishDate	2005
url	https://doaj.org/article/3ba2274e2e5f42af952560198d9ff355
work_keys_str_mv	AT danielyacavone jeanlucgodardandroylichtensteinoriginalityreflexivityandtherepresentedimage
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Jean-Luc Godard and Roy Lichtenstein: Originality, Reflexivity, and the Re-Presented Image

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