Qui chante? The Lyric’s Voice as Impersonation

Starting from the imperative to not just read, but to speak lyric poems out loud, this paper considers ways in which poems change depending on who utters them. Beyond the familiar distinction between the poem's author and the lyrical “I” — the voice in which the poet chooses to utter the poem —...

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Autor principal: Thomas Austenfeld
Formato: article
Lenguaje:DE
EN
Publicado: Universität Trier 2021
Materias:
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Acceso en línea:https://doaj.org/article/3cb2216f746143059a492ccd2ee36546
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