THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY

Society has many contrasts within it. Lived experiences, felt realities, contradictory situations and similar phenomena are carried in process and create history of society which connected with them. The history of society is in interaction with the individuals who make up that society. The influenc...

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Autor principal:	Hasan Sezer FENER
Formato:	article
Lenguaje:	DE EN FR TR
Publicado:	Fırat University 2019
Materias:	özcan alper social memory political cinema narrative of subjective history Social Sciences H Social sciences (General) H1-99
Acceso en línea:	https://doaj.org/article/3cdc3394eeea48b28fa0b5a7aac582a4
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spelling	oai:doaj.org-article:3cdc3394eeea48b28fa0b5a7aac582a42021-11-24T09:20:41ZTHE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY2148-416310.9761/JASSS7682https://doaj.org/article/3cdc3394eeea48b28fa0b5a7aac582a42019-08-01T00:00:00Zhttps://jasstudies.com/index.jsp?mod=tammetin&makaleadi=621673994_33-Hasan%20Sezer%20Fener.pdf&key=28826https://doaj.org/toc/2148-4163Society has many contrasts within it. Lived experiences, felt realities, contradictory situations and similar phenomena are carried in process and create history of society which connected with them. The history of society is in interaction with the individuals who make up that society. The influence of the past phenomenon is different in each individual, and this effect creates two opposite cultures that own opposite motivations: the culture of remembering and the culture of forgetting. The connection of cinema to the past is a matter that has been debated for many years. The past is reconstructed through cinema, and narrative of subjective history is generated via regeneration of realties. Contrary to the mainstream cinema in the construction of dominant discourse, the political cinema unrolls truelife, objective truths, and overturned history; not requested to be presented by adopting a critical approach. Özcan Alper who has taken on the mission of bringing experienced and hidden truths in the films which are directed by him, is accepted as one of the most important representatives of political cinema in Turkey. Özcan Alper’s cinema has become one of the two main axes of this study because of operation of political cinema's return to life, unidentified murders, capital task and topics like the Armenian people lived in 1915 be an example for associating social memory with cinema. In this context, Ozcan Alper's films; Fall (2008), Future Long Time (2011) and The Memories of the Winds (2015) were evaluated, and the effect of Özcan Alper's cinema on social memory was investigated by associating with social memory concept and cinema. As a result of the study, it is seen that Özcan Alper plays an active role in the construction of social memory and that the mission of culture of the remembering in society is undertaken.Hasan Sezer FENERFırat Universityarticleözcan alpersocial memorypolitical cinemanarrative of subjective historySocial SciencesHSocial sciences (General)H1-99DEENFRTRJournal of Academic Social Science Studies , Vol 11, Iss 69, Pp 489-500 (2019)
institution	DOAJ
collection	DOAJ
language	DE EN FR TR
topic	özcan alper social memory political cinema narrative of subjective history Social Sciences H Social sciences (General) H1-99
spellingShingle	özcan alper social memory political cinema narrative of subjective history Social Sciences H Social sciences (General) H1-99 Hasan Sezer FENER THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
description	Society has many contrasts within it. Lived experiences, felt realities, contradictory situations and similar phenomena are carried in process and create history of society which connected with them. The history of society is in interaction with the individuals who make up that society. The influence of the past phenomenon is different in each individual, and this effect creates two opposite cultures that own opposite motivations: the culture of remembering and the culture of forgetting. The connection of cinema to the past is a matter that has been debated for many years. The past is reconstructed through cinema, and narrative of subjective history is generated via regeneration of realties. Contrary to the mainstream cinema in the construction of dominant discourse, the political cinema unrolls truelife, objective truths, and overturned history; not requested to be presented by adopting a critical approach. Özcan Alper who has taken on the mission of bringing experienced and hidden truths in the films which are directed by him, is accepted as one of the most important representatives of political cinema in Turkey. Özcan Alper’s cinema has become one of the two main axes of this study because of operation of political cinema's return to life, unidentified murders, capital task and topics like the Armenian people lived in 1915 be an example for associating social memory with cinema. In this context, Ozcan Alper's films; Fall (2008), Future Long Time (2011) and The Memories of the Winds (2015) were evaluated, and the effect of Özcan Alper's cinema on social memory was investigated by associating with social memory concept and cinema. As a result of the study, it is seen that Özcan Alper plays an active role in the construction of social memory and that the mission of culture of the remembering in society is undertaken.
format	article
author	Hasan Sezer FENER
author_facet	Hasan Sezer FENER
author_sort	Hasan Sezer FENER
title	THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
title_short	THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
title_full	THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
title_fullStr	THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
title_full_unstemmed	THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY
title_sort	cinema of özcan alper and social memory
publisher	Fırat University
publishDate	2019
url	https://doaj.org/article/3cdc3394eeea48b28fa0b5a7aac582a4
work_keys_str_mv	AT hasansezerfener thecinemaofozcanalperandsocialmemory AT hasansezerfener cinemaofozcanalperandsocialmemory
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THE CINEMA OF ÖZCAN ALPER AND SOCIAL MEMORY

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