The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology

This article explores instigating ritual movement practices as a decolonial approach to practice led research within a Western liberal arts context. By connecting ritual with movement through a decolonial lens, a choreographic methodology was explored to enable belonging, cultural identity and empow...

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Autores principales:	Alesha Mehta, Sarah Foster-Sproull
Formato:	article
Lenguaje:	DA EN NO
Publicado:	Cappelen Damm Akademisk NOASP 2021
Materias:	ritual decoloniality creative practice postgraduate research choreography Arts in general NX1-820 Sports GV557-1198.995
Acceso en línea:	https://doaj.org/article/3d3194445f7b4f1581d642c0300735ca
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id	oai:doaj.org-article:3d3194445f7b4f1581d642c0300735ca
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spelling	oai:doaj.org-article:3d3194445f7b4f1581d642c0300735ca2021-11-23T10:47:36ZThe soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology2535-285710.23865/jased.v5.2964https://doaj.org/article/3d3194445f7b4f1581d642c0300735ca2021-11-01T00:00:00Zhttps://jased.net/index.php/jased/article/view/2964/5881https://doaj.org/toc/2535-2857This article explores instigating ritual movement practices as a decolonial approach to practice led research within a Western liberal arts context. By connecting ritual with movement through a decolonial lens, a choreographic methodology was explored to enable belonging, cultural identity and empowerment to evolve within postgraduate practice led research. Ritual movement processes may involve trial and error as well as deep experimentation to unveil and unpack decolonial experience. Building from student-centred personal reflections, this article proposes that ritual movement practice may allow for cultural representation, belonging and decoloniality to occur within a neoliberal educational context. To explore this realm a central query evolved, how might ritual movement practices instigate a decolonial student experience within postgraduate practice led research?Alesha MehtaSarah Foster-SproullCappelen Damm Akademisk NOASParticleritualdecolonialitycreative practicepostgraduate researchchoreographyArts in generalNX1-820SportsGV557-1198.995DAENNOJournal for Research in Arts and Sports Education, Vol 5, Iss 4, Pp 4-18 (2021)
institution	DOAJ
collection	DOAJ
language	DA EN NO
topic	ritual decoloniality creative practice postgraduate research choreography Arts in general NX1-820 Sports GV557-1198.995
spellingShingle	ritual decoloniality creative practice postgraduate research choreography Arts in general NX1-820 Sports GV557-1198.995 Alesha Mehta Sarah Foster-Sproull The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
description	This article explores instigating ritual movement practices as a decolonial approach to practice led research within a Western liberal arts context. By connecting ritual with movement through a decolonial lens, a choreographic methodology was explored to enable belonging, cultural identity and empowerment to evolve within postgraduate practice led research. Ritual movement processes may involve trial and error as well as deep experimentation to unveil and unpack decolonial experience. Building from student-centred personal reflections, this article proposes that ritual movement practice may allow for cultural representation, belonging and decoloniality to occur within a neoliberal educational context. To explore this realm a central query evolved, how might ritual movement practices instigate a decolonial student experience within postgraduate practice led research?
format	article
author	Alesha Mehta Sarah Foster-Sproull
author_facet	Alesha Mehta Sarah Foster-Sproull
author_sort	Alesha Mehta
title	The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
title_short	The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
title_full	The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
title_fullStr	The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
title_full_unstemmed	The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology
title_sort	soil in the lines of my mehndi: toward a decolonial ritual choreographic methodology
publisher	Cappelen Damm Akademisk NOASP
publishDate	2021
url	https://doaj.org/article/3d3194445f7b4f1581d642c0300735ca
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The soil in the lines of my mehndi: Toward a decolonial ritual choreographic methodology

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